Woman with Figs by Paul Gauguin

Woman with Figs

Paul Gauguin · 1894

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“Stop and observe the stark beauty of this etching, where a Tahitian woman merges with a lush, dark landscape, her form rendered with powerful lines and deep shadows. It's a striking example of the artist's exploration of printmaking.”

ABOUT THIS WORK

A woman, likely Tahitian, reclines in a dense, almost claustrophobic landscape in this etching. Her body is a study in curves and shadows, echoing the organic forms of the surrounding foliage. She holds a cluster of figs, their round shapes contrasting with her angular features and the sharp lines of her profile. The composition feels both intimate and slightly unsettling, with the figure pressed close to the foreground, almost emerging from the dark, rich textures of the print. This work, created in 1894, reflects a period when the artist was deeply engaged with printmaking, exploring how the starkness of black and white could convey the same emotional intensity as his vibrant paintings. The etching process itself, with its capacity for intricate detail and deep contrasts, lends a raw, immediate quality to the scene, emphasizing the interplay of light and shadow on the figure and her tropical setting.

DETAILS
Artist
Paul Gauguin
Date
1894
Medium
Etching
Location
The Metropolitan Museum of Art
Dimensions
Sheet: 14 3/4 × 20 3/8 in. (37.5 × 51.8 cm) Plate mark: 10 1/2 × 16 5/8 in. (26.7 × 42.2 cm)
ART MOVEMENTS
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What to Notice

Five details hide in plain sight. Here’s where to look.

Woman with Figs
01

The way her body curves to mirror the surrounding leaves.

02

The dark, almost velvety texture of the foliage in the background.

03

The cluster of figs she holds, a splash of lighter tone.

04

The intricate patterns created by the etching lines in her hair and skin.

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THE ARTIST

Paul Gauguin

1848–1903 · France

Paul Gauguin, the French Post-Impressionist, abandoned a stockbroker's life for art, famously seeking 'refuge from Western civilization' in Tahiti.

Read Gauguin’s full story
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More works to explore

Beyond Gauguin and Symbolism: works from the same years, and from the other movements Woman with Figs belongs to.

Equestrienne (At the Cirque Fernando) Same movement · Post-Impressionism Equestrienne (At the Cirque Fernando) Henri de Toulouse-Lautrec · 1887 · Art Institute of Chicago A Woman Walking in a Garden Same era · 1870s–1900s A Woman Walking in a Garden Vincent van Gogh · 1887 · Frans Buffa & sons Carmelina Same movement · Post-Impressionism Carmelina Henri Matisse · 1903 · Museum of Fine Arts Boston Still Life with Crayfish Same era · 1870s–1900s Still Life with Crayfish Mikhail Larionov · 1900 · Museum Ludwig The Old Guitarist Same movement · Post-Impressionism The Old Guitarist Pablo Picasso · 1903 · Art Institute of Chicago A Sunday on La Grande Jatte — 1884 Same era · 1870s–1900s A Sunday on La Grande Jatte — 1884 Okada Saburosuke · 1884 · Art Institute of Chicago After the Bullfight Same movement · Impressionism After the Bullfight Mary Cassatt · 1873 · Art Institute of Chicago Madame Léon Clapisson Same era · 1870s–1900s Madame Léon Clapisson Léon-Victor Dupré · 1883 · Art Institute of Chicago
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