“Stop and observe the stark beauty of this etching, where a Tahitian woman merges with a lush, dark landscape, her form rendered with powerful lines and deep shadows. It's a striking example of the artist's exploration of printmaking.”
A woman, likely Tahitian, reclines in a dense, almost claustrophobic landscape in this etching. Her body is a study in curves and shadows, echoing the organic forms of the surrounding foliage. She holds a cluster of figs, their round shapes contrasting with her angular features and the sharp lines of her profile. The composition feels both intimate and slightly unsettling, with the figure pressed close to the foreground, almost emerging from the dark, rich textures of the print. This work, created in 1894, reflects a period when the artist was deeply engaged with printmaking, exploring how the starkness of black and white could convey the same emotional intensity as his vibrant paintings. The etching process itself, with its capacity for intricate detail and deep contrasts, lends a raw, immediate quality to the scene, emphasizing the interplay of light and shadow on the figure and her tropical setting.
- Artist
- Paul Gauguin
- Date
- 1894
- Medium
- Etching
- Location
- The Metropolitan Museum of Art
- Dimensions
- Sheet: 14 3/4 × 20 3/8 in. (37.5 × 51.8 cm) Plate mark: 10 1/2 × 16 5/8 in. (26.7 × 42.2 cm)
What to Notice
Five details hide in plain sight. Here’s where to look.

The way her body curves to mirror the surrounding leaves.
The dark, almost velvety texture of the foliage in the background.
The cluster of figs she holds, a splash of lighter tone.
The intricate patterns created by the etching lines in her hair and skin.
1 more detail is waiting.
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Paul Gauguin
1848–1903 · FrancePaul Gauguin, the French Post-Impressionist, abandoned a stockbroker's life for art, famously seeking 'refuge from Western civilization' in Tahiti.
Further Works by Gauguin
("Leda") Design for a Plate: Shame on Those Who Evil Think (Honi Soit Qui Mal y Pense) ; cover illustration for the "Volpini Suite" entitled Lithographic Drawings (Dessins lithographiques)
1889 · The Metropolitan Museum of Art
Ia Orana Maria (Hail Mary)
1891 · The Metropolitan Museum of Art
Tahitian Women Bathing
1892 · The Metropolitan Museum of Art
The Siesta
1892 · The Metropolitan Museum of Art
A Farm in Brittany
1894 · The Metropolitan Museum of Art
Still Life with Teapot and Fruit
1896 · The Metropolitan Museum of Art
Three Tahitian Women
1896 · The Metropolitan Museum of Art
Two Tahitian Women
1899 · The Metropolitan Museum of Art
More from Symbolism
More works to explore
Beyond Gauguin and Symbolism: works from the same years, and from the other movements Woman with Figs belongs to.
Same movement · Post-Impressionism
Equestrienne (At the Cirque Fernando)
Henri de Toulouse-Lautrec · 1887 · Art Institute of Chicago
Same era · 1870s–1900s
A Woman Walking in a Garden
Vincent van Gogh · 1887 · Frans Buffa & sons
Same movement · Post-Impressionism
Carmelina
Henri Matisse · 1903 · Museum of Fine Arts Boston
Same era · 1870s–1900s
Still Life with Crayfish
Mikhail Larionov · 1900 · Museum Ludwig
Same movement · Post-Impressionism
The Old Guitarist
Pablo Picasso · 1903 · Art Institute of Chicago
Same era · 1870s–1900s
A Sunday on La Grande Jatte — 1884
Okada Saburosuke · 1884 · Art Institute of Chicago
Same movement · Impressionism
After the Bullfight
Mary Cassatt · 1873 · Art Institute of Chicago
Same era · 1870s–1900s
Madame Léon Clapisson
Léon-Victor Dupré · 1883 · Art Institute of Chicago
Same movement · Impressionism
A Turn in the Road
Alfred Sisley · 1873 · Art Institute of Chicago
Same era · 1870s–1900s
Frauenkopf vor Sonnenblumen
Ernst Ludwig Kirchner · 1906 · Museum Frieder Burda
Same movement · Post-Impressionism
Gustave Boyer (b. 1840) in a Straw Hat
Paul Cézanne · 1870 · The Metropolitan Museum of Art
Same era · 1870s–1900s
The Sofa
Henri de Toulouse-Lautrec · 1894 · The Metropolitan Museum of Art
Same movement · Impressionism
The Pink Dress (Albertie-Marguerite Carré, later Madame Ferdinand-Henri Himmes, 1854–1935)
Berthe Morisot · 1870 · Metropolitan Museum of Art
Same era · 1870s–1900s
Woman Bathing Her Feet in a Brook
Camille Pissarro · 1894 · Art Institute of Chicago
Same movement · Impressionism
The Beach at Sainte-Adresse
Claude Monet · 1867 · Art Institute of Chicago
Same era · 1870s–1900s
House and Courtyard
John Singer Sargent · 1895 · The Metropolitan Museum of Art
Same movement · Impressionism
The Banks of the Marne in Winter
Camille Pissarro · 1866 · Art Institute of Chicago
Same era · 1870s–1900s
The Child's Bath
Mary Cassatt · 1893 · Art Institute of Chicago
Same movement · Impressionism
Alfred Sisley
Pierre-Auguste Renoir · 1864 · Foundation E.G. Bührle Collection
Same era · 1870s–1900s
The Hands
Edvard Munch · 1893 · Munch Museum
Same movement · Impressionism
Beggar with Oysters (Philosopher)
Édouard Manet · 1864 · Art Institute of Chicago
Same era · 1870s–1900s
The Loire
Alfred Sisley · 1896 · Art Institute of Chicago
Same movement · Impressionism
Young Spartan Girls Challenging Boys
Edgar Degas · 1860 · Art Institute of Chicago
Same era · 1870s–1900s
Stacks of Wheat (End of Summer)
Claude Monet · 1891 · Art Institute of Chicago




