Two Deformed Heads with Very Long Upper Lips by Leonardo da Vinci

Two Deformed Heads with Very Long Upper Lips

Leonardo da Vinci · 1645

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“This 17th-century etching by Wenceslaus Hollar showcases two strikingly unusual faces, an example of the era's fascination with grotesque figures and the exploration of human physiognomy through art.”

ABOUT THIS WORK

Wenceslaus Hollar, a prolific printmaker of the 17th century, created this intriguing etching in 1645. While Hollar is perhaps best known for his detailed topographical views and naturalistic studies, this piece, "Two Deformed Heads with Very Long Upper Lips," reveals a different facet of his artistic curiosity. It belongs to a tradition of grotesque or caricature studies, which became popular in European art during this period. Artists often explored the boundaries of human physiognomy, sometimes for satirical purposes, other times as a purely artistic exercise in depicting the unusual. This print, with its exaggerated features, invites viewers to consider the nature of beauty and deformity, and how slight alterations can transform a familiar face into something unsettling or even comical. It's a small but powerful example of how Hollar, even when straying from his typical subjects, maintained a remarkable precision in his etched lines.

DETAILS
Artist
Leonardo da Vinci
Date
1645
Medium
Etching
Location
The Metropolitan Museum of Art
Dimensions
Sheet: 3 3/8 × 4 7/8 in. (8.6 × 12.4 cm)
Collection
Drawings and Prints
Credit line
Gift of Barbara E. Fox, from the Collection of Howard A. Fox, MD and Barbara E. Fox, 2022
ART MOVEMENTS
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What to Notice

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Two Deformed Heads with Very Long Upper Lips

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01

The muzzle-like profile

On the left, the face pushes forward into a heavy, folded snout and drooping lip. It looks more like a bulldog than a person.

1 of 4 on the painting
02

Scowling brow and jutting lip

On the right, a furrowed brow, hard stare and pushed-out lip give this old man a bitter, sour look. Notice how the wrinkles pile up around the mouth.

2 of 4 on the painting
03Whole painting

Faces in confrontation

The two heads face each other across a pale gap, like a staged argument. Their mirrored profiles lock the eye into the space between them.

04

Streaming hair

The tall swept-back hair is built from many fine lines that fan upward and outward. The thin, needle-like strokes make it feel light, almost like a flame.

3 of 4 on the painting
05

Bulging bonnet

The left figure wears a soft, lumpy cap that swells upward like another strange growth. It adds to the unsettling effect of the head's shape.

4 of 4 on the painting
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THE ARTIST

Leonardo da Vinci

1452–1519 · Republic of Florence

Leonardo da Vinci, the ultimate Renaissance polymath, filled notebooks with observations on everything from anatomy to flight, alongside masterpieces like the 'Mona Lisa'.

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