The Head of the Virgin in Three-Quarter View Facing Right by Leonardo da Vinci

The Head of the Virgin in Three-Quarter View Facing Right

Leonardo da Vinci · 1510

Scroll

“This exquisite chalk drawing of the Virgin Mary's head is a preparatory study for a major painting, showcasing a master's meticulous approach to capturing serene beauty and soft, lifelike forms.”

ABOUT THIS WORK

In this intimate drawing, a young woman's head tilts gently downward, her face captured in a three-quarter view, facing right. Her hair is intricately styled, with two braids secured by a veil at the crown, and a delicate lock falling over her left cheek. Created using black chalk, charcoal, and red chalk, with subtle touches of white, the drawing demonstrates a remarkable softness and depth. This study was a preparatory work for the head of the Virgin Mary in a larger painting, "The Virgin and Child with Saint Anne," now in the Louvre. Likely made between 1507 and 1513, it reflects a period when the artist, despite his varied interests, continued to refine his painting compositions through detailed studies like this one. The delicate blending of chalks creates a hazy, atmospheric quality, a technique that imbues the figure with a sense of serene beauty.

DETAILS
Artist
Leonardo da Vinci
Date
1510
Medium
Black chalk, charcoal, and red chalk, with some traces of white chalk (?); some remains of framing outline in pen and brown ink at upper right (not by Leonardo)
Location
The Metropolitan Museum of Art
Dimensions
Sheet: 8 x 6 1/8 in. (20.3 x 15.6 cm)
Collection
Drawings and Prints
Credit line
Harris Brisbane Dick Fund, 1951
ART MOVEMENTS
LOOK CLOSER

What to Notice

Five details hide in plain sight. Pick one and we’ll show you exactly where to look.

The Head of the Virgin in Three-Quarter View Facing Right

← → step through · Esc to close
5 details are marked · pick a number
01

The downcast eye

Find the lowered eye under its heavy lid. The gaze drops away from us, which gives the face a quiet, inward tenderness.

1 of 5 on the painting
02

Softly melting cheek

Follow the cheek and jaw, where tones blend with no visible outline. This smoky shading (sfumato) makes the skin look soft and alive.

2 of 5 on the painting
03

Red chalk warmth

Look at the nose, lips and chin for faint pinkish-red under the grey. The warm red chalk gives the flesh a glow that black alone could not.

3 of 5 on the painting
04

Braided hair crown

Across the top, the hair is drawn in a banded, braided-looking arrangement beneath a soft, hazy veil-like shape. The tighter, patterned strokes contrast with the smooth face below.

4 of 5 on the painting
05

Curling locks at right

On the right side, loose curls spill down in thin, springy lines of dark and red chalk. They are drawn freely, nearly as if in motion.

5 of 5 on the painting
AUDIO DEEP DIVE

Stand in front of it and listen

The full narration walks you through The Head of the Virgin in Three-Quarter View Facing Right — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.

0:00Preview · 0:30Free preview · 0:30 Hear the full story in the app
THE ARTIST

Leonardo da Vinci

1452–1519 · Republic of Florence

Leonardo da Vinci, the ultimate Renaissance polymath, filled notebooks with observations on everything from anatomy to flight, alongside masterpieces like the 'Mona Lisa'.

Read da Vinci’s full story
MORE FROM THIS ARTIST

Further Works by da Vinci

1 / 2
EXPLORE THE MOVEMENT

More from Renaissance

1 / 1
KEEP EXPLORING

More works to explore

Beyond da Vinci and Renaissance: works from the same years, and from the other movements The Head of the Virgin in Three-Quarter View Facing Right belongs to.

Hear The Head of the Virgin in Three-Q…’s storyFree in the Art Whisper app Open