The Universe Is Created by Paul Gauguin

The Universe Is Created

Paul Gauguin · 1893

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“Stop and observe this striking woodcut, where Paul Gauguin uses bold colors and a raw, "primitive" style to depict a powerful, mythical creation story, reflecting his fascination with Tahitian spirituality.”

ABOUT THIS WORK

In this vibrant woodcut, Paul Gauguin conjures a primordial scene, a vision of the world's genesis. We see a powerful, androgynous figure, possibly a deity or spirit, emerging from a swirling, organic void. The print's rich, earthy colors, achieved through a complex process of hand-inking multiple woodblocks, evoke a sense of ancient power and mystery. Look closely at the raw, almost crude lines; they reflect Gauguin's deliberate embrace of a "primitive" aesthetic, a stark contrast to the refined academic art of his time. This work, part of a series for his book "Noa Noa," explores Tahitian myths of creation, merging them with his own spiritual interpretations. It's a powerful example of how he sought to express profound ideas through simplified forms and symbolic color.

DETAILS
Artist
Paul Gauguin
Date
1893
Medium
woodcut printed in color on wove paper
Location
The Metropolitan Museum of Art
Dimensions
8 x 13 7/8 in. (20.3 x 35.2 cm): block 10 1/2 x 18 7/8 in. (26.7 x 47.9 cm): paper
ART MOVEMENTS
LOOK CLOSER

What to Notice

Five details hide in plain sight. Pick one and we’ll show you exactly where to look.

The Universe Is Created

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01

The pale hand

Low in the center, a large pale hand with splayed fingers stands out against the dark ground. It is the brightest, most solid form in the lower half and draws the eye straight to it.

1 of 5 on the painting
02

White wave crests

Across the upper left, three pale shapes rise like foamy waves or wings. They are among the lightest marks in the print and lead the eye across toward the right.

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03

Ghostly faces

At the upper right, faint carved lines seem to suggest faces or a head, half dissolved into the brown. They are hard to read, so look slowly and they begin to emerge from the dark.

3 of 5 on the painting
04

Sprouting plant form

Near the top center, a spiky, leaf-like shape springs upward above the pale waves. It can read as a plant, which would suit a title about creation.

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05

Gouged ground

Along the left side, rough scratches and vertical gouges show where the wood was cut and scraped. The texture makes the surface look misty and unfinished, as if matter were still forming.

5 of 5 on the painting
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THE ARTIST

Paul Gauguin

1848–1903 · France

Paul Gauguin, the French Post-Impressionist, abandoned a stockbroker's life for art, famously seeking 'refuge from Western civilization' in Tahiti.

Read Gauguin’s full story
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Equestrienne (At the Cirque Fernando) Same movement · Post-Impressionism Equestrienne (At the Cirque Fernando) Henri de Toulouse-Lautrec · 1887 · Art Institute of Chicago A Woman Walking in a Garden Same era · 1870s–1900s A Woman Walking in a Garden Vincent van Gogh · 1887 · Frans Buffa & sons Carmelina Same movement · Post-Impressionism Carmelina Henri Matisse · 1903 · Museum of Fine Arts Boston Still Life with Crayfish Same era · 1870s–1900s Still Life with Crayfish Mikhail Larionov · 1900 · Museum Ludwig The Old Guitarist Same movement · Post-Impressionism The Old Guitarist Pablo Picasso · 1903 · Art Institute of Chicago A Sunday on La Grande Jatte — 1884 Same era · 1870s–1900s A Sunday on La Grande Jatte — 1884 Okada Saburosuke · 1884 · Art Institute of Chicago After the Bullfight Same movement · Impressionism After the Bullfight Mary Cassatt · 1873 · Art Institute of Chicago Madame Léon Clapisson Same era · 1870s–1900s Madame Léon Clapisson Léon-Victor Dupré · 1883 · Art Institute of Chicago
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