“This painting offers a powerful, unvarnished look at a working-class figure, rendered with bold lines and earthy colors that anticipate the radical artistic shifts of the Russian avant-garde.”
In Mikhail Larionov's "The Baker" from 1909, a solitary figure dominates the canvas, rendered with a raw, almost primitive energy. The baker, seen in profile, is a study in robust simplicity, his form outlined with bold, dark strokes that emphasize his substantial presence. The colors are earthy and direct, reflecting a move away from the nuanced tones of Impressionism towards a more direct, expressive style that would soon define the Russian avant-garde. This painting captures a moment of quiet labor, elevating an everyday worker through its monumental scale and stark composition, echoing the influence of Russian sign painting and folk art that Larionov explored during this period. The work feels immediate and unvarnished, a deliberate choice that gives dignity to its subject.
- Artist
- Mikhail Larionov
- Date
- 1909
- Location
- Thyssen-Bornemisza Museum
What to Notice
Four details hide in plain sight. Here’s where to look.

The baker's strong, simple outline, almost like a woodcut.
The way light falls on the baker's face and arm, highlighting his work.
The earthy, muted color palette, focusing on browns and ochres.
The large, almost monumental scale of the figure within the frame.
Stand in front of it and listen
The full narration walks you through The Baker — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Mikhail Larionov
1881–1964 · Russian EmpirePioneered Rayonism in 1913, Russia's first abstract art movement, then designed for Diaghilev's legendary Ballets Russes.
Further Works by Larionov
Still Life with Crayfish
1900 · Museum Ludwig
Portrait of Natalia Goncharova
1903
Barber
1907 · Russian Museum
Female Passerby
1911 · Ulyanovsk Oblast Art Museum
Red and Blue Rayonism (Beach)
1911 · Museum Ludwig
Soldier on a Horse
1911 · Tate
Streetcar
1911 · Bashkir State Art Museum (Nesterov Museum)
Glass
1912 · Solomon R. Guggenheim Museum
More from Der Blaue Reiter
More works to explore
Beyond Larionov and Der Blaue Reiter: works from the same years.
Same era · 1890s–1920s
Lozenge Composition with Yellow, Black, Blue, Red, and Gray
Piet Mondrian · 1921 · Art Institute of Chicago
Same era · 1890s–1920s
Female Nude (Dodo)
Ernst Ludwig Kirchner · 1909 · Albertina
Same era · 1890s–1920s
Bathers by a River
Henri Matisse · 1909 · Art Institute of Chicago
Same era · 1890s–1920s
Little Harbor in Normandy
Georges Braque · 1909 · Art Institute of Chicago
Same era · 1890s–1920s
Maude Adams (1872–1953) as Joan of Arc
Alphonse Mucha · 1909 · The Metropolitan Museum of Art
Same era · 1890s–1920s
Daniel-Henry Kahnweiler
Pablo Picasso · 1910 · Art Institute of Chicago
Same era · 1890s–1920s
Birth
Marc Chagall · 1911 · Art Institute of Chicago
Same era · 1890s–1920s
Consolation
Edvard Munch · 1907 · Munch Museum
Same era · 1890s–1920s
Sellar Alp, Dolomites
John Singer Sargent · 1913 · The Metropolitan Museum of Art
Same era · 1890s–1920s
Mont Sainte-Victoire
Paul Cézanne · 1904 · Detroit Institute of Arts
Same era · 1890s–1920s
Street Cart
Egon Schiele · 1914 · The Metropolitan Museum of Art
Same era · 1890s–1920s
The Magic Foot-ball, 'I thought you were wrong,' he said in triumph. 'You said it was nine! Stupid!'
Norman Rockwell · 1914 · Norman Rockwell Museum

