“This painting by Mikhail Larionov is a vibrant explosion of color and movement, capturing a soldier on horseback through a revolutionary style that dissolves forms into radiating light and lines.”
A lone soldier on horseback charges across a vibrant, almost electric landscape in Mikhail Larionov's 1911 painting. The canvas pulses with a dynamic energy, as the horse and rider seem to emerge from a blur of intense, clashing colors. This isn't a realistic depiction, but rather an exploration of movement and light itself, with forms dissolving into a network of radiating lines. Larionov, who would soon co-found the Rayonist movement, was at the forefront of the Russian avant-garde, staging public performances and pushing the boundaries of art. This work captures his early move towards abstraction, where the subject becomes a vehicle for expressing pure visual sensation, anticipating the radical artistic shifts that were about to transform the art world.
- Artist
- Mikhail Larionov
- Date
- 1911
- Medium
- Oil on canvas
- Location
- Tate
What to Notice
Five details hide in plain sight. Here’s where to look.

The way the horse's legs are rendered as streaks of color, suggesting speed.
The soldier's face, almost obscured by the bright, radiating lines.
The bold, unmixed colors, particularly the reds and blues, that dominate the canvas.
The sense of light emanating from within the forms, rather than falling on them.
1 more detail is waiting.
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Mikhail Larionov
1881–1964 · Russian EmpirePioneered Rayonism in 1913, Russia's first abstract art movement, then designed for Diaghilev's legendary Ballets Russes.
Further Works by Larionov
Still Life with Crayfish
1900 · Museum Ludwig
Portrait of Natalia Goncharova
1903
Barber
1907 · Russian Museum
Female Passerby
1911 · Ulyanovsk Oblast Art Museum
Red and Blue Rayonism (Beach)
1911 · Museum Ludwig
Streetcar
1911 · Bashkir State Art Museum (Nesterov Museum)
Glass
1912 · Solomon R. Guggenheim Museum
Jewish Venus
1912 · Ekaterinburg Museum of Fine Arts
More from Der Blaue Reiter
More works to explore
Beyond Larionov and Der Blaue Reiter: works from the same years.
Same era · 1890s–1920s
Lozenge Composition with Yellow, Black, Blue, Red, and Gray
Piet Mondrian · 1921 · Art Institute of Chicago
Same era · 1890s–1920s
Blue Girl in the Sun
Ernst Ludwig Kirchner · 1910
Same era · 1890s–1920s
Birth
Marc Chagall · 1911 · Art Institute of Chicago
Same era · 1890s–1920s
Daniel-Henry Kahnweiler
Pablo Picasso · 1910 · Art Institute of Chicago
Same era · 1890s–1920s
Bathers by a River
Henri Matisse · 1909 · Art Institute of Chicago
Same era · 1890s–1920s
Little Harbor in Normandy
Georges Braque · 1909 · Art Institute of Chicago
Same era · 1890s–1920s
Maude Adams (1872–1953) as Joan of Arc
Alphonse Mucha · 1909 · The Metropolitan Museum of Art
Same era · 1890s–1920s
Sirmione
John Singer Sargent · 1913 · The Metropolitan Museum of Art
Same era · 1890s–1920s
Street Cart
Egon Schiele · 1914 · The Metropolitan Museum of Art
Same era · 1890s–1920s
The Magic Foot-ball, 'I thought you were wrong,' he said in triumph. 'You said it was nine! Stupid!'
Norman Rockwell · 1914 · Norman Rockwell Museum
Same era · 1890s–1920s
Consolation
Edvard Munch · 1907 · Munch Museum
Same era · 1890s–1920s
Irises
Claude Monet · 1915 · National Gallery

