Te Po by Paul Gauguin

Te Po

Paul Gauguin · 1893

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“This powerful woodcut plunges into the spiritual depths of Tahitian mythology, using raw, expressive lines to depict a primal figure in a cosmic void. It's a striking example of Paul Gauguin's search for an uncorrupted world.”

ABOUT THIS WORK

In "Te Po," a woodcut from 1893, a stark, almost skeletal figure dominates the scene, its arms raised in a gesture that could be either supplication or despair. The composition is deliberately raw, with the coarse lines of the woodblock lending a primal energy to the image. This print captures a moment of profound spiritual engagement, reflecting the artist's fascination with Tahitian mythology and the mysteries of creation. The figure, possibly a deity or a spirit, emerges from a dark, textured ground, surrounded by abstract forms that evoke a cosmic void or an ancient landscape. The deliberate crudeness of the woodcut medium enhances the sense of a world unrefined, a direct connection to elemental forces that predated European influence. This work is part of a series Gauguin created to illustrate his book, "Noa Noa," an account of his experiences and interpretations of Tahitian life and beliefs.

DETAILS
Artist
Paul Gauguin
Date
1893
Medium
Woodcut, state II
Location
The Metropolitan Museum of Art
Dimensions
block: 8 x 14 1/16 in. (20.3 x 35.7 cm) sheet: 10 3/4 x 16 5/8in. (27.3 x 42.2cm)
ART MOVEMENTS
LOOK CLOSER

What to Notice

Four details hide in plain sight. Here’s where to look.

Te Po
01

The central figure's raised arms and elongated form.

02

The rough, visible grain and texture of the woodblock.

03

Abstract shapes suggesting a primeval landscape or cosmos.

04

The contrast between dark, textured areas and lighter, carved lines.

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THE ARTIST

Paul Gauguin

1848–1903 · France

Paul Gauguin, the French Post-Impressionist, abandoned a stockbroker's life for art, famously seeking 'refuge from Western civilization' in Tahiti.

Read Gauguin’s full story
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Beyond Gauguin and Symbolism: works from the same years, and from the other movements Te Po belongs to.

Equestrienne (At the Cirque Fernando) Same movement · Post-Impressionism Equestrienne (At the Cirque Fernando) Henri de Toulouse-Lautrec · 1887 · Art Institute of Chicago A Woman Walking in a Garden Same era · 1870s–1900s A Woman Walking in a Garden Vincent van Gogh · 1887 · Frans Buffa & sons Carmelina Same movement · Post-Impressionism Carmelina Henri Matisse · 1903 · Museum of Fine Arts Boston Still Life with Crayfish Same era · 1870s–1900s Still Life with Crayfish Mikhail Larionov · 1900 · Museum Ludwig The Old Guitarist Same movement · Post-Impressionism The Old Guitarist Pablo Picasso · 1903 · Art Institute of Chicago A Sunday on La Grande Jatte — 1884 Same era · 1870s–1900s A Sunday on La Grande Jatte — 1884 Okada Saburosuke · 1884 · Art Institute of Chicago After the Bullfight Same movement · Impressionism After the Bullfight Mary Cassatt · 1873 · Art Institute of Chicago Madame Léon Clapisson Same era · 1870s–1900s Madame Léon Clapisson Léon-Victor Dupré · 1883 · Art Institute of Chicago
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