“This powerful woodcut plunges into the spiritual depths of Tahitian mythology, using raw, expressive lines to depict a primal figure in a cosmic void. It's a striking example of Paul Gauguin's search for an uncorrupted world.”
In "Te Po," a woodcut from 1893, a stark, almost skeletal figure dominates the scene, its arms raised in a gesture that could be either supplication or despair. The composition is deliberately raw, with the coarse lines of the woodblock lending a primal energy to the image. This print captures a moment of profound spiritual engagement, reflecting the artist's fascination with Tahitian mythology and the mysteries of creation. The figure, possibly a deity or a spirit, emerges from a dark, textured ground, surrounded by abstract forms that evoke a cosmic void or an ancient landscape. The deliberate crudeness of the woodcut medium enhances the sense of a world unrefined, a direct connection to elemental forces that predated European influence. This work is part of a series Gauguin created to illustrate his book, "Noa Noa," an account of his experiences and interpretations of Tahitian life and beliefs.
- Artist
- Paul Gauguin
- Date
- 1893
- Medium
- Woodcut, state II
- Location
- The Metropolitan Museum of Art
- Dimensions
- block: 8 x 14 1/16 in. (20.3 x 35.7 cm) sheet: 10 3/4 x 16 5/8in. (27.3 x 42.2cm)
What to Notice
Four details hide in plain sight. Here’s where to look.

The central figure's raised arms and elongated form.
The rough, visible grain and texture of the woodblock.
Abstract shapes suggesting a primeval landscape or cosmos.
The contrast between dark, textured areas and lighter, carved lines.
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Paul Gauguin
1848–1903 · FrancePaul Gauguin, the French Post-Impressionist, abandoned a stockbroker's life for art, famously seeking 'refuge from Western civilization' in Tahiti.
Further Works by Gauguin
("Leda") Design for a Plate: Shame on Those Who Evil Think (Honi Soit Qui Mal y Pense) ; cover illustration for the "Volpini Suite" entitled Lithographic Drawings (Dessins lithographiques)
1889 · The Metropolitan Museum of Art
Ia Orana Maria (Hail Mary)
1891 · The Metropolitan Museum of Art
Tahitian Women Bathing
1892 · The Metropolitan Museum of Art
The Siesta
1892 · The Metropolitan Museum of Art
A Farm in Brittany
1894 · The Metropolitan Museum of Art
Still Life with Teapot and Fruit
1896 · The Metropolitan Museum of Art
Three Tahitian Women
1896 · The Metropolitan Museum of Art
Two Tahitian Women
1899 · The Metropolitan Museum of Art
More from Symbolism
More works to explore
Beyond Gauguin and Symbolism: works from the same years, and from the other movements Te Po belongs to.
Same movement · Post-Impressionism
Equestrienne (At the Cirque Fernando)
Henri de Toulouse-Lautrec · 1887 · Art Institute of Chicago
Same era · 1870s–1900s
A Woman Walking in a Garden
Vincent van Gogh · 1887 · Frans Buffa & sons
Same movement · Post-Impressionism
Carmelina
Henri Matisse · 1903 · Museum of Fine Arts Boston
Same era · 1870s–1900s
Still Life with Crayfish
Mikhail Larionov · 1900 · Museum Ludwig
Same movement · Post-Impressionism
The Old Guitarist
Pablo Picasso · 1903 · Art Institute of Chicago
Same era · 1870s–1900s
A Sunday on La Grande Jatte — 1884
Okada Saburosuke · 1884 · Art Institute of Chicago
Same movement · Impressionism
After the Bullfight
Mary Cassatt · 1873 · Art Institute of Chicago
Same era · 1870s–1900s
Madame Léon Clapisson
Léon-Victor Dupré · 1883 · Art Institute of Chicago
Same movement · Impressionism
A Turn in the Road
Alfred Sisley · 1873 · Art Institute of Chicago
Same era · 1870s–1900s
Frauenkopf vor Sonnenblumen
Ernst Ludwig Kirchner · 1906 · Museum Frieder Burda
Same movement · Post-Impressionism
Gustave Boyer (b. 1840) in a Straw Hat
Paul Cézanne · 1870 · The Metropolitan Museum of Art
Same era · 1870s–1900s
The Child's Bath
Mary Cassatt · 1893 · Art Institute of Chicago
Same movement · Impressionism
The Pink Dress (Albertie-Marguerite Carré, later Madame Ferdinand-Henri Himmes, 1854–1935)
Berthe Morisot · 1870 · Metropolitan Museum of Art
Same era · 1870s–1900s
The Hands
Edvard Munch · 1893 · Munch Museum
Same movement · Impressionism
The Beach at Sainte-Adresse
Claude Monet · 1867 · Art Institute of Chicago
Same era · 1870s–1900s
The Place du Havre, Paris
Camille Pissarro · 1893 · Art Institute of Chicago
Same movement · Impressionism
The Banks of the Marne in Winter
Camille Pissarro · 1866 · Art Institute of Chicago
Same era · 1870s–1900s
The Englishman (William Tom Warrener, 1861–1934) at the Moulin Rouge
Henri de Toulouse-Lautrec · 1892 · The Metropolitan Museum of Art
Same movement · Impressionism
Alfred Sisley
Pierre-Auguste Renoir · 1864 · Foundation E.G. Bührle Collection
Same era · 1870s–1900s
House and Courtyard
John Singer Sargent · 1895 · The Metropolitan Museum of Art
Same movement · Impressionism
Beggar with Oysters (Philosopher)
Édouard Manet · 1864 · Art Institute of Chicago
Same era · 1870s–1900s
Poppy Field (Giverny)
Claude Monet · 1891 · Art Institute of Chicago
Same movement · Impressionism
Young Spartan Girls Challenging Boys
Edgar Degas · 1860 · Art Institute of Chicago
Same era · 1870s–1900s
Young Girl with Hat
Berthe Morisot · 1891 · Art Institute of Chicago




