Te Po

Paul Gauguin, 1893

MEDIUMWoodcut, state II
DIMENSIONSblock: 8 x 14 1/16 in. (20.3 x 35.7 cm) sheet: 10 3/4 x 16 5/8in. (27.3 x 42.2cm)
LOCATIONThe Metropolitan Museum of Art

Step into the enigmatic night of Tahiti as imagined by Paul Gauguin. This Symbolist work, painted in 1893, reflects his fascination with indigenous spirituality and his experimental use of color and form.

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ABOUT THIS WORK

Paul Gauguin's 1893 work, "Te Po," meaning "The Night" or "The Great Darkness" in Tahitian, plunges us into the mysterious and spiritual world that captivated the artist during his first extended stay in Tahiti. Gauguin, a pivotal figure in Post-Impressionism and Symbolism, sought to escape the perceived artificiality of European society, finding inspiration in what he considered a more 'primitive' and authentic culture. This painting, created the same year as his notable "Merahi metua no Tehamana (Tehamana Has Many Parents or The Ancestors of Tehamana)," reflects his deep engagement with Tahitian mythology and his unique Synthetist style, characterized by flat areas of color and strong outlines, distinct from the Impressionist movement he initially brushed against. Gauguin often explored themes of life, death, and spirituality, and "Te Po" likely delves into the Tahitian concepts of the afterlife or the primordial void, rendered with his signature vibrant palette and evocative imagery. It is a powerful example of his primitivist leanings and his quest to depict the inner world of emotion and symbolic meaning rather than mere visual reality.

ART MOVEMENTS
ImpressionismPost-ImpressionismSymbolism
LOOK CLOSER

What to Notice

1

Deep, almost oppressive blue and purple tones

2

Stark, simplified forms of figures and landscape

3

Mysterious, possibly spiritual, central figure

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Audio Deep Dive

Step into the enigmatic night of Tahiti as imagined by Paul Gauguin. This Symbolist work, painted in 1893, reflects his fascination with indigenous spiritualit…

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THE ARTIST
Paul Gauguin 1848–1903 · France

Paul Gauguin, the French Post-Impressionist, abandoned a stockbroker's life for art, famously seeking 'refuge from Western civilization' in Tahiti.

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