Tahitian Faces (Frontal View and Profiles) by Paul Gauguin

Tahitian Faces (Frontal View and Profiles)

Paul Gauguin · 1894

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“This striking charcoal drawing offers an intimate glimpse into Gauguin's artistic process, showcasing his studies of Tahitian women and his masterful ability to capture character with simple, yet powerful, lines.”

ABOUT THIS WORK

Look closely at these charcoal sketches, where Paul Gauguin captures the essence of Tahitian women through a series of expressive profiles and a direct frontal gaze. The paper itself, with its subtle texture, becomes part of the drawing, allowing the charcoal to create a soft, almost velvety finish on the skin of the figures. Each face, though rendered with a fluid economy of line, conveys a distinct personality, from the serene, downcast eyes in one profile to the more assertive, almost challenging stare of the central figure. These studies reveal Gauguin's fascination with the people of Tahiti, where he sought a different kind of beauty and a connection to a more primal, unspoiled world, far removed from the urban bustle of Europe.

DETAILS
Artist
Paul Gauguin
Date
1894
Medium
Charcoal on laid paper
Location
The Metropolitan Museum of Art
Dimensions
Sheet: 16 1/8 x 12 1/4 in. (41 x 31.1 cm)
Collection
Drawings and Prints
Credit line
Purchase, The Annenberg Foundation Gift, 1996
ART MOVEMENTS
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What to Notice

Five details hide in plain sight. Pick one and we’ll show you exactly where to look.

Tahitian Faces (Frontal View and Profiles)

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01

The frontal face

Start with the large central face. The heavy-lidded, blank eyes and firm mouth give her a calm, steady presence.

1 of 4 on the painting
02

Blank, shadowed eyes

The eyes are drawn as soft, smudged lids with no visible pupils. That leaves her gaze hard to read and gives the face a quiet, inward feel.

2 of 4 on the painting
03

Ghostly right profile

At right, a faint profile nearly vanishes into the paper. It is drawn so lightly that it sits like a quiet echo beside the main face.

3 of 4 on the painting
04

Lower left profile

The profile at lower left is drawn in thin, light lines. Follow the sharp line from brow to nose, lips and chin.

4 of 4 on the painting
05Whole painting

Overlapping studies

Three heads share one sheet, overlapping with no frame. The big frontal face anchors it while the profiles circle it at different strengths.

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THE ARTIST

Paul Gauguin

1848–1903 · France

Paul Gauguin, the French Post-Impressionist, abandoned a stockbroker's life for art, famously seeking 'refuge from Western civilization' in Tahiti.

Read Gauguin’s full story
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Beyond Gauguin and Symbolism: works from the same years, and from the other movements Tahitian Faces (Frontal View and Profiles) belongs to.

Equestrienne (At the Cirque Fernando) Same movement · Post-Impressionism Equestrienne (At the Cirque Fernando) Henri de Toulouse-Lautrec · 1887 · Art Institute of Chicago A Woman Walking in a Garden Same era · 1870s–1900s A Woman Walking in a Garden Vincent van Gogh · 1887 · Frans Buffa & sons Carmelina Same movement · Post-Impressionism Carmelina Henri Matisse · 1903 · Museum of Fine Arts Boston Still Life with Crayfish Same era · 1870s–1900s Still Life with Crayfish Mikhail Larionov · 1900 · Museum Ludwig The Old Guitarist Same movement · Post-Impressionism The Old Guitarist Pablo Picasso · 1903 · Art Institute of Chicago A Sunday on La Grande Jatte — 1884 Same era · 1870s–1900s A Sunday on La Grande Jatte — 1884 Okada Saburosuke · 1884 · Art Institute of Chicago After the Bullfight Same movement · Impressionism After the Bullfight Mary Cassatt · 1873 · Art Institute of Chicago Madame Léon Clapisson Same era · 1870s–1900s Madame Léon Clapisson Léon-Victor Dupré · 1883 · Art Institute of Chicago
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