“This graphite study offers a quiet, intimate portrait of a woman, demonstrating the artist's refined draftsmanship and his fascination with the human form. It's a chance to see a master of line at work, capturing a pensive moment with remarkable subtlety.”
A woman's face, delicately rendered in graphite, gazes out from this intimate study. Though titled "Study for 'Raphael and the Fornarina'(?)", the question mark in the title acknowledges that this drawing is not a direct preliminary sketch for the famous painting of the same name. Instead, it seems to be an independent exploration of the female form, a subject that captivated artists of the Neoclassical period. The woman's hair is gathered simply, framing a serene expression, and the subtle shading brings a remarkable softness to her features. This small drawing, executed on white wove paper, showcases a meticulous approach to line and form, emphasizing the contours of the face and the gentle curve of the neck. It invites a close look, revealing the artist's careful hand in capturing a moment of quiet contemplation.
- Artist
- Jean-Auguste-Dominique Ingres
- Date
- 1810
- Medium
- Graphite on white wove paper
- Location
- The Metropolitan Museum of Art
- Dimensions
- 10 x 7 3/4 in. (25.4 x 19.7 cm)
- Collection
- Robert Lehman Collection
- Credit line
- Robert Lehman Collection, 1975
What to Notice
Five details hide in plain sight. Here’s where to look.

Observe the delicate graphite lines that define the woman's profile.
Notice the subtle shading around her eyes and nose, creating depth.
See how her hair is simply styled, drawing attention to her face.
Look at the serene expression on her face, suggesting a pensive mood.
1 more detail is waiting.
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Jean-Auguste-Dominique Ingres
1780–1867 · FranceJean-Auguste-Dominique Ingres, a French Neoclassical painter, masterfully blended academic tradition with expressive distortions, influencing modernists like Matisse and Picasso.
Further Works by Ingres
Joseph-Antoine Moltedo (born 1775)
1805 · The Metropolitan Museum of Art
Amédée-David, the Comte de Pastoret
1823 · Art Institute of Chicago
The Virgin Adoring the Host
1841 · Pushkin Museum of Fine Arts
Joséphine-Éléonore-Marie-Pauline de Galard de Brassac de Béarn (1825–1860), Princesse de Broglie
1853 · Metropolitan Museum of Art
Frederic Sylvester Douglas
1815 · Art Institute of Chicago
Gabriel Cortois de Pressigny
1816 · Art Institute of Chicago
Pierre Alexandre Tardieu
1825 · Art Institute of Chicago
View of Saint Peter's in Rome
Art Institute of Chicago
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Same era · 1790s–1820s
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