“This striking woodblock print captures the Akabane Bridge under a serene, heavy snowfall, transforming a familiar Edo-period landmark into a quiet, atmospheric winter scene. It's a beautiful example of how weather can alter perception.”
A blanket of newly fallen snow transforms this bustling Edo-period scene into a hushed, almost monochromatic landscape. Here, Utagawa Hiroshige captures the Akabane Bridge in Shiba, a prominent landmark connecting two districts of old Tokyo. The heavy snowfall mutes the vibrant city, emphasizing the stark contrasts between the dark, still water of the river and the bright, untouched snow covering every surface. Figures, bundled against the cold, traverse the bridge and pathways, their individual struggles against the elements made poignant by the vast, quiet expanse around them. This print, from the series "Famous Places in the Eastern Capital," invites viewers to experience a moment of serene winter beauty, where the ordinary world is momentarily suspended under a fresh layer of white.
- Artist
- Utagawa Hiroshige 歌川広重
- Date
- 1838
- Medium
- Color woodblock print; oban
- Location
- Art Institute of Chicago
- Dimensions
- 24.5 × 36.8 cm (9 5/8 × 14 1/2 in.)
- Collection
- Arts of Asia
- Culture
- Japan
- Credit line
- Gift of H. R. Warner
What to Notice
Five details hide in plain sight. Here’s where to look.

The way the snow piles heavily on the thatched roofs and tree branches.
Look for the footprints in the snow, indicating recent passage.
The dark, almost black river contrasting with the brilliant white snow.
The subtle variations in white and grey used to depict depth and texture.
1 more detail is waiting.
See all 5 in Art Whisper →Stand in front of it and listen
The full narration walks you through Snow at Akabane Bridge in Shiba (Shiba Akabane no yuki), from the series "Famous Places in the Eastern Capital (Toto meisho)" — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Further Works by 歌川広重
Macaw on a pine branch
1830 · Art Institute of Chicago
No. 32: Seba, from the series "Sixty-nine Stations of the Kisokaido (Kisokaido rokujukyu tsugi no uchi)"
1830 · Art Institute of Chicago
No. 37: Miyanokoshi, from the series "Sixty-nine Stations of the Kisokaido (Kisokaido rokujukyu tsugi no uchi)"
1830 · Art Institute of Chicago
Arai, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)
1832 · Art Institute of Chicago
Hamamatsu, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)
1832 · Art Institute of Chicago
Maisaka: The Ferry at Imagiri (Maisaka, Imagiri funawatashi), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)
1832 · Art Institute of Chicago
Mishima: Morning Mist (Mishima, asagiri), from the series "Fifty-three Stations of the Tokaido Road (Tokaido gojusan tsugi no uchi)," also known as the Hoeido Tokaido
1833 · Art Institute of Chicago
Snow at Benzaiten Shrine in Inokashira Pond (Inokashira no ike Benzaiten no yashiro yuki no kei), from the series "Snow, Moon, and Flowers at Famous Places (Meisho setsugekka)"
1839 · Art Institute of Chicago
More works to explore
Beyond 歌川広重: works from the same years.
Same era · 1820s–1850s
The Estuary Farm
Léon-Victor Dupré · 1831 · Art Institute of Chicago
Same era · 1820s–1850s
Hamlet and Horatio in the Graveyard
Eugène Delacroix · 1839 · Department of Paintings of the Louvre
Same era · 1820s–1850s
Stormy Sea Breaking on a Shore
J. M. W. Turner · 1840 · Yale Center for British Art
Same era · 1820s–1850s
The Virgin Adoring the Host
Jean-Auguste-Dominique Ingres · 1841 · Pushkin Museum of Fine Arts
Same era · 1820s–1850s
Young Woman
Jean-François Millet · 1844 · Art Institute of Chicago
Same era · 1820s–1850s
Wooded Landscape
Gustave Courbet · 1848 · Art Institute of Chicago
Same era · 1820s–1850s
Mount Chocorua and Moat Mountain from North Conway
William Hart · 1850
Same era · 1820s–1850s
The Fortune Teller (La Bonne Aventure)
Jacques-Louis David · 1824 · Fine Arts Museums of San Francisco
Same era · 1820s–1850s
Olive Trees
Vincent van Gogh · 1853 · The Metropolitan Museum of Art
Same era · 1820s–1850s
Woman in a Blue Dress
School of William Matthew Prior · 1840 · Art Institute of Chicago
Same era · 1820s–1850s
Designs for a Decorated Dish, or Platter, and a Biscuit Barrel
Alfred Henry Forrester [Alfred Crowquill] · 1845 · The Metropolitan Museum of Art
Same era · 1820s–1850s
Mr. James Mackie
Samuel Alcock & Company · 1830 · Art Institute of Chicago
