“This print captures a lone traveler braving a powerful windstorm on a bridge, a vivid snapshot of the challenging yet picturesque journey along Japan's historic Tokaido Road.”
In this dynamic woodblock print, a lone traveler battles strong winds as he crosses a bridge at Arai, one of the fifty-three stations along the historic Tokaido Road. The artist, Utagawa Hiroshige, masterfully captures the force of the gale, shown through the bent trees, the traveler's flapping cloak, and the whitecaps on the water below. The composition draws your eye to the solitary figure, who leans into the wind, his straw hat held firmly against his head. Beyond the bridge, a fortified gate and a cluster of buildings suggest the safety of the station ahead, offering a sense of hope amidst the challenging journey. This scene is part of a celebrated series that vividly depicted the landscapes and daily life along Japan's most important highway, offering both practical guidance and evocative imagery to travelers and enthusiasts alike.
- Artist
- Utagawa Hiroshige 歌川広重
- Date
- 1832
- Medium
- Color woodblock print; chuban
- Location
- Art Institute of Chicago
- Dimensions
- 17.1 × 22.9 cm (6 11/16 × 9 in.)
- Collection
- Arts of Asia
- Culture
- Japan
- Credit line
- Clarence Buckingham Collection
What to Notice
Four details hide in plain sight. Here’s where to look.

Observe the traveler's cloak, billowing dramatically in the wind.
Notice the whitecaps on the water, indicating rough conditions.
Look at the trees on the left, bent sharply by the strong gusts.
See the fortified gate in the distance, marking the entrance to Arai station.
Stand in front of it and listen
The full narration walks you through Arai, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Further Works by 歌川広重
Macaw on a pine branch
1830 · Art Institute of Chicago
No. 32: Seba, from the series "Sixty-nine Stations of the Kisokaido (Kisokaido rokujukyu tsugi no uchi)"
1830 · Art Institute of Chicago
No. 37: Miyanokoshi, from the series "Sixty-nine Stations of the Kisokaido (Kisokaido rokujukyu tsugi no uchi)"
1830 · Art Institute of Chicago
Hamamatsu, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)
1832 · Art Institute of Chicago
Maisaka: The Ferry at Imagiri (Maisaka, Imagiri funawatashi), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)
1832 · Art Institute of Chicago
Mishima: Morning Mist (Mishima, asagiri), from the series "Fifty-three Stations of the Tokaido Road (Tokaido gojusan tsugi no uchi)," also known as the Hoeido Tokaido
1833 · Art Institute of Chicago
Snow at Akabane Bridge in Shiba (Shiba Akabane no yuki), from the series "Famous Places in the Eastern Capital (Toto meisho)"
1838 · Art Institute of Chicago
Snow at Benzaiten Shrine in Inokashira Pond (Inokashira no ike Benzaiten no yashiro yuki no kei), from the series "Snow, Moon, and Flowers at Famous Places (Meisho setsugekka)"
1839 · Art Institute of Chicago
More works to explore
Beyond 歌川広重: works from the same years.
Same era · 1810s–1840s
The Estuary Farm
Léon-Victor Dupré · 1831 · Art Institute of Chicago
Same era · 1810s–1840s
The Thames above Waterloo Bridge
J. M. W. Turner · 1830 · National Gallery
Same era · 1810s–1840s
The Combat of the Giaour and Hassan
Eugène Delacroix · 1826 · Art Institute of Chicago
Same era · 1810s–1840s
The Fortune Teller (La Bonne Aventure)
Jacques-Louis David · 1824 · Fine Arts Museums of San Francisco
Same era · 1810s–1840s
Amédée-David, the Comte de Pastoret
Jean-Auguste-Dominique Ingres · 1823 · Art Institute of Chicago
Same era · 1810s–1840s
Saturn Devouring His Son
Francisco Goya · 1820 · Museo del Prado
Same era · 1810s–1840s
Young Woman
Jean-François Millet · 1844 · Art Institute of Chicago
Same era · 1810s–1840s
Two Men Contemplating the Moon
Caspar David Friedrich · 1819 · Staatliche Kunstsammlungen Dresden
Same era · 1810s–1840s
Mr. James Mackie
Samuel Alcock & Company · 1830 · Art Institute of Chicago
Same era · 1810s–1840s
The Captive Slave (Ira Aldridge)
John Philip Simpson · 1827 · Art Institute of Chicago
Same era · 1810s–1840s
Woman in a Blue Dress
School of William Matthew Prior · 1840 · Art Institute of Chicago
Same era · 1810s–1840s
The Five Points
Artist Unknown - The Mercat Cross, Aberdeen · 1822 · The Metropolitan Museum of Art
