“Step into a 19th-century Japanese inn town, where weary travelers find rest and refreshment. This print captures a vivid moment of daily life, blending human activity with a serene natural landscape.”
This woodblock print, "No. 32: Seba," transports us to a bustling inn town, a welcome stop for travelers on Japan's Kisokaido road. In the foreground, a group of figures pauses, their journey temporarily halted. A woman, perhaps an innkeeper or a server, kneels to offer refreshment, her posture suggesting deference and hospitality. The composition draws the eye across the scene, from the detailed figures in the foreground to the distant mountains, their peaks softened by the hazy atmosphere. The artist, Utagawa Hiroshige, captures a moment of everyday life, blending the human activity with the grandeur of the natural landscape. This print is part of a celebrated series depicting the 69 stations along the Kisokaido, a historic route connecting Edo (modern-day Tokyo) with Kyoto, offering a glimpse into the diverse experiences of travel in 19th-century Japan.
- Artist
- Utagawa Hiroshige 歌川広重
- Date
- 1830
- Medium
- Color woodblock print; oban
- Location
- Art Institute of Chicago
- Dimensions
- 23.4 × 37.2 cm (9 3/16 × 14 5/8 in.)
- Collection
- Arts of Asia
- Culture
- Japan
- Credit line
- Gift of H. R. Warner
What to Notice
Five details hide in plain sight. Here’s where to look.

The intricate patterns on the kimonos of the travelers.
The subtle shading used to define the distant mountains.
The way the bamboo fence guides your eye into the scene.
The steam rising from the kettle, indicating warmth and refreshment.
1 more detail is waiting.
See all 5 in Art Whisper →Stand in front of it and listen
The full narration walks you through No. 32: Seba, from the series "Sixty-nine Stations of the Kisokaido (Kisokaido rokujukyu tsugi no uchi)" — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Further Works by 歌川広重
Macaw on a pine branch
1830 · Art Institute of Chicago
No. 37: Miyanokoshi, from the series "Sixty-nine Stations of the Kisokaido (Kisokaido rokujukyu tsugi no uchi)"
1830 · Art Institute of Chicago
Arai, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)
1832 · Art Institute of Chicago
Hamamatsu, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)
1832 · Art Institute of Chicago
Maisaka: The Ferry at Imagiri (Maisaka, Imagiri funawatashi), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)
1832 · Art Institute of Chicago
Mishima: Morning Mist (Mishima, asagiri), from the series "Fifty-three Stations of the Tokaido Road (Tokaido gojusan tsugi no uchi)," also known as the Hoeido Tokaido
1833 · Art Institute of Chicago
Snow at Akabane Bridge in Shiba (Shiba Akabane no yuki), from the series "Famous Places in the Eastern Capital (Toto meisho)"
1838 · Art Institute of Chicago
Snow at Benzaiten Shrine in Inokashira Pond (Inokashira no ike Benzaiten no yashiro yuki no kei), from the series "Snow, Moon, and Flowers at Famous Places (Meisho setsugekka)"
1839 · Art Institute of Chicago
More works to explore
Beyond 歌川広重: works from the same years.
Same era · 1810s–1840s
The Estuary Farm
Léon-Victor Dupré · 1831 · Art Institute of Chicago
Same era · 1810s–1840s
The Thames above Waterloo Bridge
J. M. W. Turner · 1830 · National Gallery
Same era · 1810s–1840s
The Combat of the Giaour and Hassan
Eugène Delacroix · 1826 · Art Institute of Chicago
Same era · 1810s–1840s
The Fortune Teller (La Bonne Aventure)
Jacques-Louis David · 1824 · Fine Arts Museums of San Francisco
Same era · 1810s–1840s
Amédée-David, the Comte de Pastoret
Jean-Auguste-Dominique Ingres · 1823 · Art Institute of Chicago
Same era · 1810s–1840s
Saturn Devouring His Son
Francisco Goya · 1820 · Museo del Prado
Same era · 1810s–1840s
Two Men Contemplating the Moon
Caspar David Friedrich · 1819 · Staatliche Kunstsammlungen Dresden
Same era · 1810s–1840s
Young Woman
Jean-François Millet · 1844 · Art Institute of Chicago
Same era · 1810s–1840s
Mr. James Mackie
Samuel Alcock & Company · 1830 · Art Institute of Chicago
Same era · 1810s–1840s
The Captive Slave (Ira Aldridge)
John Philip Simpson · 1827 · Art Institute of Chicago
Same era · 1810s–1840s
The Five Points
Artist Unknown - The Mercat Cross, Aberdeen · 1822 · The Metropolitan Museum of Art
Same era · 1810s–1840s
Woman in a Blue Dress
School of William Matthew Prior · 1840 · Art Institute of Chicago
