“This print invites you to imagine a journey along Japan's ancient Tokaido Road, capturing the quiet beauty of a ferry crossing with its delicate colors and focused composition.”
This print captures a moment of transition, depicting travelers crossing the Imagiri ferry at Maisaka, one of the 53 stations along the historic Tokaido Road. A small boat, laden with passengers and their belongings, navigates the calm water under a sky that shifts from a soft yellow near the horizon to a deeper blue above. The low perspective emphasizes the vastness of the water and sky, with a distant shoreline barely visible, suggesting the journey's length. The careful arrangement of figures in the boat and the subtle gradations of color in the sky and water create a sense of quiet movement and contemplation, reflecting the experience of travel in Edo period Japan. This work is part of a series that vividly documented the landscapes and daily life along Japan's most important highway.
- Artist
- Utagawa Hiroshige 歌川広重
- Date
- 1832
- Medium
- Color woodblock print; chuban
- Location
- Art Institute of Chicago
- Dimensions
- 17.1 × 22.7 cm (6 11/16 × 8 15/16 in.)
- Collection
- Arts of Asia
- Culture
- Japan
- Credit line
- Clarence Buckingham Collection
What to Notice
Four details hide in plain sight. Here’s where to look.

Observe the small details of the travelers' clothing and hats.
See the subtle variations in blue used for the water and sky.
Notice the distant, faint outline of land on the horizon.
Look at the way the boat's wake gently ripples behind it.
Stand in front of it and listen
The full narration walks you through Maisaka: The Ferry at Imagiri (Maisaka, Imagiri funawatashi), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Further Works by 歌川広重
Macaw on a pine branch
1830 · Art Institute of Chicago
No. 32: Seba, from the series "Sixty-nine Stations of the Kisokaido (Kisokaido rokujukyu tsugi no uchi)"
1830 · Art Institute of Chicago
No. 37: Miyanokoshi, from the series "Sixty-nine Stations of the Kisokaido (Kisokaido rokujukyu tsugi no uchi)"
1830 · Art Institute of Chicago
Arai, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)
1832 · Art Institute of Chicago
Hamamatsu, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)
1832 · Art Institute of Chicago
Mishima: Morning Mist (Mishima, asagiri), from the series "Fifty-three Stations of the Tokaido Road (Tokaido gojusan tsugi no uchi)," also known as the Hoeido Tokaido
1833 · Art Institute of Chicago
Snow at Akabane Bridge in Shiba (Shiba Akabane no yuki), from the series "Famous Places in the Eastern Capital (Toto meisho)"
1838 · Art Institute of Chicago
Snow at Benzaiten Shrine in Inokashira Pond (Inokashira no ike Benzaiten no yashiro yuki no kei), from the series "Snow, Moon, and Flowers at Famous Places (Meisho setsugekka)"
1839 · Art Institute of Chicago
More works to explore
Beyond 歌川広重: works from the same years.
Same era · 1810s–1840s
The Estuary Farm
Léon-Victor Dupré · 1831 · Art Institute of Chicago
Same era · 1810s–1840s
The Thames above Waterloo Bridge
J. M. W. Turner · 1830 · National Gallery
Same era · 1810s–1840s
The Combat of the Giaour and Hassan
Eugène Delacroix · 1826 · Art Institute of Chicago
Same era · 1810s–1840s
The Fortune Teller (La Bonne Aventure)
Jacques-Louis David · 1824 · Fine Arts Museums of San Francisco
Same era · 1810s–1840s
Amédée-David, the Comte de Pastoret
Jean-Auguste-Dominique Ingres · 1823 · Art Institute of Chicago
Same era · 1810s–1840s
Saturn Devouring His Son
Francisco Goya · 1820 · Museo del Prado
Same era · 1810s–1840s
Young Woman
Jean-François Millet · 1844 · Art Institute of Chicago
Same era · 1810s–1840s
Two Men Contemplating the Moon
Caspar David Friedrich · 1819 · Staatliche Kunstsammlungen Dresden
Same era · 1810s–1840s
Mr. James Mackie
Samuel Alcock & Company · 1830 · Art Institute of Chicago
Same era · 1810s–1840s
The Captive Slave (Ira Aldridge)
John Philip Simpson · 1827 · Art Institute of Chicago
Same era · 1810s–1840s
Woman in a Blue Dress
School of William Matthew Prior · 1840 · Art Institute of Chicago
Same era · 1810s–1840s
The Five Points
Artist Unknown - The Mercat Cross, Aberdeen · 1822 · The Metropolitan Museum of Art
