“This captivating woodblock print by Utagawa Hiroshige transports you to a misty morning on Japan's historic Tokaido Road, where travelers emerge from a dreamlike fog. It's a masterclass in atmospheric perspective, capturing a specific moment of quiet beauty.”
A thick, swirling mist envelops the scene in Utagawa Hiroshige's print, transforming a familiar post station on the Tokaido Road into something ethereal and mysterious. Travelers on horseback and foot emerge from the fog, their forms softened and indistinct, suggesting the challenging conditions of their journey. The muted greens and grays of the landscape, punctuated by the dark silhouettes of pine trees, create a sense of quiet solitude. This print captures a specific moment in time, not just a place, inviting us to imagine the chill in the air and the muffled sounds as the morning slowly awakens. The careful layering of colors, characteristic of woodblock printing, enhances the atmospheric effect, making the mist feel almost palpable.
- Artist
- Utagawa Hiroshige 歌川広重
- Date
- 1833
- Medium
- Color woodblock print; oban
- Location
- Art Institute of Chicago
- Dimensions
- 24.3 × 37.5 cm (9 9/16 × 14 3/4 in.)
What to Notice
Four details hide in plain sight. Here’s where to look.

The way the mist obscures the background, making distant forms almost disappear.
The distinct pattern of the travelers' straw hats and cloaks.
The dark, slender trunks of the pine trees cutting through the fog.
The subtle variations in the gray and green washes creating depth in the mist.
Stand in front of it and listen
The full narration walks you through Mishima: Morning Mist (Mishima, asagiri), from the series "Fifty-three Stations of the Tokaido Road (Tokaido gojusan tsugi no uchi)," also known as the Hoeido Tokaido — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Further Works by 歌川広重
Macaw on a pine branch
1830 · Art Institute of Chicago
No. 32: Seba, from the series "Sixty-nine Stations of the Kisokaido (Kisokaido rokujukyu tsugi no uchi)"
1830 · Art Institute of Chicago
No. 37: Miyanokoshi, from the series "Sixty-nine Stations of the Kisokaido (Kisokaido rokujukyu tsugi no uchi)"
1830 · Art Institute of Chicago
Arai, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)
1832 · Art Institute of Chicago
Hamamatsu, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)
1832 · Art Institute of Chicago
Maisaka: The Ferry at Imagiri (Maisaka, Imagiri funawatashi), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)
1832 · Art Institute of Chicago
Snow at Akabane Bridge in Shiba (Shiba Akabane no yuki), from the series "Famous Places in the Eastern Capital (Toto meisho)"
1838 · Art Institute of Chicago
Snow at Benzaiten Shrine in Inokashira Pond (Inokashira no ike Benzaiten no yashiro yuki no kei), from the series "Snow, Moon, and Flowers at Famous Places (Meisho setsugekka)"
1839 · Art Institute of Chicago
More works to explore
Beyond 歌川広重: works from the same years.
Same era · 1810s–1840s
The Estuary Farm
Léon-Victor Dupré · 1831 · Art Institute of Chicago
Same era · 1810s–1840s
The Golden Bough
J. M. W. Turner · 1834 · National Gallery
Same era · 1810s–1840s
Hamlet and Horatio in the Graveyard
Eugène Delacroix · 1839 · Department of Paintings of the Louvre
Same era · 1810s–1840s
The Virgin Adoring the Host
Jean-Auguste-Dominique Ingres · 1841 · Pushkin Museum of Fine Arts
Same era · 1810s–1840s
The Fortune Teller (La Bonne Aventure)
Jacques-Louis David · 1824 · Fine Arts Museums of San Francisco
Same era · 1810s–1840s
Young Woman
Jean-François Millet · 1844 · Art Institute of Chicago
Same era · 1810s–1840s
Saturn Devouring His Son
Francisco Goya · 1820 · Museo del Prado
Same era · 1810s–1840s
Two Men Contemplating the Moon
Caspar David Friedrich · 1819 · Staatliche Kunstsammlungen Dresden
Same era · 1810s–1840s
Wooded Landscape
Gustave Courbet · 1848 · Art Institute of Chicago
Same era · 1810s–1840s
Mr. James Mackie
Samuel Alcock & Company · 1830 · Art Institute of Chicago
Same era · 1810s–1840s
The Captive Slave (Ira Aldridge)
John Philip Simpson · 1827 · Art Institute of Chicago
Same era · 1810s–1840s
Woman in a Blue Dress
School of William Matthew Prior · 1840 · Art Institute of Chicago
