“Step into a world above the clouds with this immense painting, inspired by the artist's airplane travels and capturing the serene, endless expanse of the sky. Its monumental scale transforms an everyday view into a profound, almost spiritual experience.”
This monumental canvas, stretching over 24 feet wide, immerses the viewer in a vast, ethereal landscape of clouds, seen from high above. Painted in 1965, when the artist was 77, this work culminates a series inspired by her airplane journeys. The composition presents an endless expanse of white and gray forms, suggesting the quiet grandeur of the sky observed from a window seat. It captures a sense of the infinite, a recurring theme in her later work as she explored the abstracted forms of nature on an increasingly grand scale. The sheer size of this painting was a deliberate challenge, one she pursued with intense focus, working long hours to complete it before the cold set in. Its scale was so immense that it famously couldn't fit through the doors of a museum in San Francisco during a retrospective, leading to its extended loan and eventual acquisition by the Art Institute.
- Artist
- Georgia O'Keeffe
- Date
- 1965
- Medium
- Oil on canvas
- Location
- Art Institute of Chicago
- Dimensions
- 243.8 × 731.5 cm (96 × 288 in.)
- Collection
- Arts of the Americas
- Culture
- United States
- Credit line
- Purchased with funds provided by the Paul and Gabriella Rosenbaum Foundation; gift of Georgia O'Keeffe
What to Notice
Four details hide in plain sight. Here’s where to look.

The subtle shifts in white and gray that create depth and volume in the clouds.
The horizontal bands of color, suggesting the curvature of the earth far below.
The seamless blending of oil on canvas, creating a smooth, almost airbrushed effect.
The way the cloud forms become more abstract and stylized upon closer inspection.
Stand in front of it and listen
The full narration walks you through Sky above Clouds IV — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Georgia O'Keeffe
1887–1986 · United StatesGeorgia O'Keeffe, the 'Mother of American modernism,' transformed natural forms into powerful abstractions, from magnified flowers to the stark beauty of the New Mexico desert.
Further Works by O'Keeffe
Black Iris
1926 · The Metropolitan Museum of Art
Blue and Green Music
1919 · Art Institute of Chicago
The Shelton with Sunspots, N.Y.
1926 · Art Institute of Chicago
Ballet Skirt or Electric Light (from the White Rose Motif)
1927 · Art Institute of Chicago
Black Cross, New Mexico
1929 · Art Institute of Chicago
Cow's Skull with Calico Roses
1931 · Art Institute of Chicago
Red and Pink Rocks and Teeth
1938 · Art Institute of Chicago
Peru – Machu Picchu, Morning Light
1957 · Art Institute of Chicago
More works to explore
Beyond O'Keeffe: works from the same years.
Same era · 1950s–1980s
Greyed Rainbow
Jackson Pollock · 1953 · Art Institute of Chicago
Same era · 1950s–1980s
Sun Spot
Yayoi Kusama · 1953 · Art Institute of Chicago
Same era · 1950s–1980s
Four Mona Lisas
Andy Warhol · 1978 · Art Institute of Chicago
Same era · 1950s–1980s
La grande bellezza
Pierre Alechinsky · 1965
Same era · 1950s–1980s
Essai
Sam Francis · 1963 · Art Institute of Chicago
Same era · 1950s–1980s
Impregnazione
Piero Manzoni · 1958
Same era · 1950s–1980s
Alka Seltzer
Roy Lichtenstein · 1966 · Art Institute of Chicago
Same era · 1950s–1980s
Captain Joseph Medill Patterson
Ivan Puni · 1962 · Art Institute of Chicago
Same era · 1950s–1980s
Woman at the Piano
Philip Evergood · 1955 · Smithsonian American Art Museum
Same era · 1950s–1980s
Untitled (Brown and Gray)
Mark Rothko · 1969 · The Metropolitan Museum of Art
Same era · 1950s–1980s
Nude under a Pine Tree
Pablo Picasso · 1959 · Art Institute of Chicago
Same era · 1950s–1980s
Flag
Jasper Johns · 1958
