Utagawa Hiroshige 歌川広重, 1842
Station 33 on the famous Tōkaidō highway connecting Edo and Kyoto, showing travelers climbing the steep Shiomi Slope where they could glimpse the sea.
This woodblock print depicts the thirty-third station along the Tōkaidō, the famous highway connecting Edo (Tokyo) and Kyoto during Japan's Edo period. Shirasuka's Shiomi Slope was known for its challenging ascent and dramatic coastal views where travelers could glimpse the sea. Created when Yoshimori was just twelve years old, this work demonstrates the precocious talent of an artist who would become deeply associated with documenting Japan's encounter with the West in the 1860s. The composition follows the established format of Tōkaidō series prints, showing travelers navigating the landscape while capturing the station's distinctive topography.
Yoshimori worked in the tradition of Utagawa Hiroshige's celebrated Tōkaidō series, creating his own interpretations of these famous waypoints. Throughout his career, Yoshimori would become particularly known for his prints depicting foreigners and Western subjects after Japan's opening to international trade, as evidenced by his numerous works showing Americans, Englishmen, and imported curiosities like elephants. His documentation of Yokohama's foreign settlement in the 1860s makes him a valuable chronicler of Japan's rapid modernization. This early Tōkaidō print, however, shows him mastering traditional landscape conventions before turning his attention to the dramatic cultural changes transforming his country.
The steep incline of Shiomi Slope where travelers make their arduous ascent
The distinctive blue gradation in the sky, achieved through multiple woodblock impressions
Small figures of travelers that convey the challenging scale of the landscape
Station 33 on the famous Tōkaidō highway connecting Edo and Kyoto, showing travelers climbing the steep Shiomi Slope where they could glimpse the sea.