“This self-portrait by Marc Chagall offers a rare, introspective look at the artist at his easel, with his face left as a luminous blank, inviting contemplation on the creative process itself.”
In this intimate self-portrait, Marc Chagall presents himself at work, brush in hand, gazing out at us from his easel. His head is a striking white void, a deliberate choice that suggests both the artist's inner world and perhaps the blank canvas of his mind, ready to be filled. The setting is sparse, yet a few symbolic elements emerge: a small, dark cityscape peeks through a window on the left, hinting at the outside world or perhaps a memory. The etching and aquatint medium creates a soft, almost dreamlike quality, with delicate lines and subtle tonal variations that give depth to the otherwise simple composition. This work, created in 1930, captures a moment of quiet contemplation, inviting us to consider the act of artistic creation itself, not just the finished product. It offers a glimpse into the artist's private space, where imagination and reality converge.
- Artist
- Marc Chagall
- Date
- 1930
- Medium
- Etching and aquatint
- Location
- The Metropolitan Museum of Art
- Dimensions
- Sheet: 8 1/4 × 6 3/8 in. (21 × 16.2 cm)
- Collection
- Drawings and Prints
- Credit line
- Bequest of William S. Lieberman, 2005
What to Notice
Five details hide in plain sight. Here’s where to look.

The artist's face is a blank, luminous oval, contrasting with the detailed surroundings.
A small, dark city silhouette is visible through the window on the left.
Notice the delicate cross-hatching and tonal shifts created by the etching and aquatint.
The artist holds a paintbrush, poised as if about to add a stroke to an unseen canvas.
1 more detail is waiting.
See all 5 in Art Whisper →Stand in front of it and listen
The full narration walks you through Self-Portrait with Easel — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Marc Chagall
1887–1985 · FranceMarc Chagall fused Russian folk art, Jewish symbolism, and modernist styles, creating dreamlike narratives like "White Crucifixion."
Further Works by Chagall
More from Expressionism
More works to explore
Beyond Chagall and Expressionism: works from the same years.
Same era · 1910s–1940s
Lozenge Composition with Yellow, Black, Blue, Red, and Gray
Piet Mondrian · 1921 · Art Institute of Chicago
Same era · 1910s–1940s
American Gothic
Okada Saburosuke · 1930 · Art Institute of Chicago
Same era · 1910s–1940s
Three Love Birds
Ivan Puni · 1930 · Art Institute of Chicago
Same era · 1910s–1940s
Straße mit Passanten bei Nachtbeleuchtung
Ernst Ludwig Kirchner · 1927 · Museum Frieder Burda
Same era · 1910s–1940s
Abstraction: Background with Blue Cloudy Sky
Pablo Picasso · 1930 · Art Institute of Chicago
Same era · 1910s–1940s
American Gothic
Grant Wood · 1930 · Art Institute of Chicago
Same era · 1910s–1940s
Sunset
Paul Klee · 1930 · Art Institute of Chicago
Same era · 1910s–1940s
The Eye
René Magritte · 1932 · Art Institute of Chicago
Same era · 1910s–1940s
Lemons on a Pewter Plate
Henri Matisse · 1926 · Art Institute of Chicago
Same era · 1910s–1940s
Untitled (Desert Landscape)
Salvador Dalí · 1934 · Art Institute of Chicago
Same era · 1910s–1940s
The Blue Forest
Max Ernst · 1925 · Art Institute of Chicago
Same era · 1910s–1940s
Two Women on the Shore
Edvard Munch · 1935 · Munch Museum









