Mikhail Larionov, 1912
An early experiment in Rayonism—Russia's first abstract art movement—where humble food items dissolve into intersecting beams of colored light, made just before Larionov left for Paris.
This 1912 painting comes from a pivotal moment in Mikhail Larionov's career, just as he was developing Rayonism—the first truly abstract art movement to emerge from Russia. Created the same year he founded the radical Donkey's Tail group, this work shows Larionov breaking away from the Neo-primitive style he'd been exploring and moving toward the revolutionary approach he would formally announce in 1913. The choice of subject matter—sausages and mackerel—reflects the Russian avant-garde's fascination with everyday objects and folk art traditions, elevating humble foodstuffs to high art. Notice how the title emphasizes 'Rayonist,' indicating Larionov's deliberate experimentation with depicting light rays emanating from objects. This was his attempt to capture the essence of modern scientific understanding—showing not objects themselves but the colored rays of light reflecting off them, intersecting in space. The painting sits at the crossroads between recognizable subject matter and pure abstraction, where fragments of reality dissolve into geometric planes and luminous color bands. Larionov was at the height of his influence in the Moscow avant-garde at this time, mentoring artists like Tatlin and staging provocative exhibitions that brought Matisse, Braque, and other European modernists to Russian audiences.
Diagonal rays of light that seem to emanate from the fish and sausages
How recognizable forms fragment into intersecting planes of color
The tension between everyday market objects and abstract composition
An early experiment in Rayonism—Russia's first abstract art movement—where humble food items dissolve into intersecting beams of colored light, made just befor…
Pioneered Rayonism in 1913, Russia's first abstract art movement, then designed for Diaghilev's legendary Ballets Russes.
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