Paris and Helen (Anonymous Tracing after d ’Hancarville) by Jacques-Louis David

Paris and Helen (Anonymous Tracing after d ’Hancarville)

Jacques-Louis David · 1770

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“This tracing of Paris and Helen offers a glimpse into the meticulous study of classical forms that shaped Neoclassical art. It's a quiet, intimate moment, rendered with the precise draftsmanship that would influence artists for generations.”

ABOUT THIS WORK

In this delicate tracing, we see the mythological lovers Paris and Helen caught in a moment of intimate repose. Helen, her back turned, leans into Paris, whose arm gently encircles her waist. The scene is rendered with a precise, almost clinical line, characteristic of the Neoclassical interest in antique forms and moralizing narratives. This particular drawing is a copy, made by an anonymous artist, of an illustration from a book by d’Hancarville, which documented the collection of ancient Greek vases belonging to Sir William Hamilton. The use of tracing paper allows for the crisp reproduction of the original lines, emphasizing the clarity and idealized anatomy that would become hallmarks of Jacques-Louis David's later, more fully realized paintings. It’s a quiet study, exploring the human form and classical composition through the lens of another artist's interpretation of antiquity.

DETAILS
Artist
Jacques-Louis David
Date
1770
Medium
Pen and brown ink, on tracing paper
Location
The Metropolitan Museum of Art
Dimensions
Sheet: 12 in. × 19 1/2 in. (30.5 × 49.5 cm)
Collection
Drawings and Prints
Credit line
Gift of Victoria Munroe, 2022
ART MOVEMENTS
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What to Notice

Four details hide in plain sight. Here’s where to look.

Paris and Helen (Anonymous Tracing after d ’Hancarville)
01

The way Helen’s drapery falls, revealing the curve of her back.

02

Paris's soft gaze, directed towards Helen.

03

The delicate lines that define the figures and their subtle musculature.

04

The faint grid lines, suggesting it was copied for study or transfer.

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THE ARTIST

Jacques-Louis David

1748–1825 · France

David survived revolution, prison, and exile to paint Napoleon's glory — and still died the most influential artist in France.

Read David’s full story
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Beyond David and Academic art: works from the same years, and from the other movements Paris and Helen (Anonymous Tracing after d ’Hancarville) belongs to.

Amédée-David, the Comte de Pastoret Same movement · Neoclassicism Amédée-David, the Comte de Pastoret Jean-Auguste-Dominique Ingres · 1823 · Art Institute of Chicago Portrait of a Lady Same era · 1750s–1780s Portrait of a Lady John Smart of Ipswich · 1773 · Yale Center for British Art Design for a Lampas Silk with a Triumphal Chariot on a Cloud Same era · 1750s–1780s Design for a Lampas Silk with a Triumphal Chariot on a Cloud Philippe de la Salle · 1765 · The Metropolitan Museum of Art Louis-Philippe-Joseph, Duke of Orleans 'Philippe Egalité' (1747-1793) (after Sir Joshua Reynolds) Same era · 1750s–1780s Louis-Philippe-Joseph, Duke of Orleans 'Philippe Egalité' (1747-1793) (after Sir Joshua Reynolds) Samuel Drummond · 1785 · National Trust Self-Portrait Same era · 1750s–1780s Self-Portrait Francisco Goya · 1783 · Musée des Beaux-Arts d'Agen Hot milk jug Same era · 1750s–1780s Hot milk jug Höchst Manufactory · 1770 · The Metropolitan Museum of Art Pair of Side Chairs Same era · 1750s–1780s Pair of Side Chairs Artist Unknown - The Mercat Cross, Aberdeen · 1770 · Art Institute of Chicago John Jehu, L'Inghilterra Same era · 1750s–1780s John Jehu, L'Inghilterra James Bretherton · 1772 · The Metropolitan Museum of Art
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