“This tracing of Paris and Helen offers a glimpse into the meticulous study of classical forms that shaped Neoclassical art. It's a quiet, intimate moment, rendered with the precise draftsmanship that would influence artists for generations.”
In this delicate tracing, we see the mythological lovers Paris and Helen caught in a moment of intimate repose. Helen, her back turned, leans into Paris, whose arm gently encircles her waist. The scene is rendered with a precise, almost clinical line, characteristic of the Neoclassical interest in antique forms and moralizing narratives. This particular drawing is a copy, made by an anonymous artist, of an illustration from a book by d’Hancarville, which documented the collection of ancient Greek vases belonging to Sir William Hamilton. The use of tracing paper allows for the crisp reproduction of the original lines, emphasizing the clarity and idealized anatomy that would become hallmarks of Jacques-Louis David's later, more fully realized paintings. It’s a quiet study, exploring the human form and classical composition through the lens of another artist's interpretation of antiquity.
- Artist
- Jacques-Louis David
- Date
- 1770
- Medium
- Pen and brown ink, on tracing paper
- Location
- The Metropolitan Museum of Art
- Dimensions
- Sheet: 12 in. × 19 1/2 in. (30.5 × 49.5 cm)
- Collection
- Drawings and Prints
- Credit line
- Gift of Victoria Munroe, 2022
What to Notice
Four details hide in plain sight. Here’s where to look.

The way Helen’s drapery falls, revealing the curve of her back.
Paris's soft gaze, directed towards Helen.
The delicate lines that define the figures and their subtle musculature.
The faint grid lines, suggesting it was copied for study or transfer.
Stand in front of it and listen
The full narration walks you through Paris and Helen (Anonymous Tracing after d ’Hancarville) — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Jacques-Louis David
1748–1825 · FranceDavid survived revolution, prison, and exile to paint Napoleon's glory — and still died the most influential artist in France.
Further Works by David
Andromache Mourning Hector
1783 · Pushkin Museum of Fine Arts
Napoleon Crossing the Alps
1800 · Musée national de Malmaison et Bois-Préau
Head of a Child
1768 · The Metropolitan Museum of Art
The Lictors Bringing Brutus the Bodies of his Sons
1787 · The Metropolitan Museum of Art
Antoine Laurent Lavoisier (1743–1794) and Marie Anne Lavoisier (Marie Anne Pierrette Paulze, 1758–1836)
1788 · The Metropolitan Museum of Art
General Étienne-Maurice Gérard (1773–1852)
1816 · The Metropolitan Museum of Art
Madame François Buron
1769 · Art Institute of Chicago
Patroclus
1780 · Musée Thomas-Henry
More from Academic art
More works to explore
Beyond David and Academic art: works from the same years, and from the other movements Paris and Helen (Anonymous Tracing after d ’Hancarville) belongs to.
Same movement · Neoclassicism
Amédée-David, the Comte de Pastoret
Jean-Auguste-Dominique Ingres · 1823 · Art Institute of Chicago
Same era · 1750s–1780s
Portrait of a Lady
John Smart of Ipswich · 1773 · Yale Center for British Art
Same era · 1750s–1780s
Design for a Lampas Silk with a Triumphal Chariot on a Cloud
Philippe de la Salle · 1765 · The Metropolitan Museum of Art
Same era · 1750s–1780s
Louis-Philippe-Joseph, Duke of Orleans 'Philippe Egalité' (1747-1793) (after Sir Joshua Reynolds)
Samuel Drummond · 1785 · National Trust
Same era · 1750s–1780s
Self-Portrait
Francisco Goya · 1783 · Musée des Beaux-Arts d'Agen
Same era · 1750s–1780s
Hot milk jug
Höchst Manufactory · 1770 · The Metropolitan Museum of Art
Same era · 1750s–1780s
Pair of Side Chairs
Artist Unknown - The Mercat Cross, Aberdeen · 1770 · Art Institute of Chicago
Same era · 1750s–1780s
John Jehu, L'Inghilterra
James Bretherton · 1772 · The Metropolitan Museum of Art
Same era · 1750s–1780s
A young girl walks towards the left with one infant on her shoulder and holding another small child's hand, while two children walk at right with a torch and a basket
Luca Cambiaso · 1775 · The Metropolitan Museum of Art
Same era · 1750s–1780s
Medal cabinet
William Vile · 1760 · The Metropolitan Museum of Art
Same era · 1750s–1780s
The Right Honorable Henry Fox, Lord Holland
William Hogarth · 1782 · The Metropolitan Museum of Art
Same era · 1750s–1780s
"Venus à sa Toilette"
Favre-Petitpierre et cie · 1770 · The Metropolitan Museum of Art
Same era · 1750s–1780s
the swing
Jean-Honoré Fragonard · 1767 · Wallace Collection




