“Stop and look at this striking portrait, "Jewish Venus." Its bold colors and simplified forms challenge traditional beauty, reflecting the radical artistic movements of early 20th-century Russia.”
A figure with striking red hair and a direct gaze dominates this portrait, their face a study in bold, simplified forms. Mikhail Larionov painted this "Jewish Venus" in 1912, a time when he was deeply exploring Neo-primitive styles, drawing inspiration from Russian sign painting and folk art. The raw, almost unrefined quality of the brushwork and the flattened planes of color are deliberate choices, rejecting academic traditions in favor of a more visceral expression. Notice the way the figure's body is rendered with an almost sculptural solidity, yet the details of the face and hands retain a captivating immediacy. This work reflects the avant-garde spirit of early 20th-century Russia, pushing boundaries and challenging conventional notions of beauty and representation.
- Artist
- Mikhail Larionov
- Date
- 1912
- Medium
- Oil on canvas
- Location
- Ekaterinburg Museum of Fine Arts
What to Notice
Five details hide in plain sight. Here’s where to look.

The vibrant red hair, almost a halo around the figure's head.
The stark, almost theatrical makeup around the eyes.
The simplified, block-like forms of the body and arms.
The direct, unwavering gaze of the figure.
1 more detail is waiting.
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Mikhail Larionov
1881–1964 · Russian EmpirePioneered Rayonism in 1913, Russia's first abstract art movement, then designed for Diaghilev's legendary Ballets Russes.
Further Works by Larionov
Still Life with Crayfish
1900 · Museum Ludwig
Portrait of Natalia Goncharova
1903
Barber
1907 · Russian Museum
Female Passerby
1911 · Ulyanovsk Oblast Art Museum
Red and Blue Rayonism (Beach)
1911 · Museum Ludwig
Soldier on a Horse
1911 · Tate
Streetcar
1911 · Bashkir State Art Museum (Nesterov Museum)
Glass
1912 · Solomon R. Guggenheim Museum
More from Der Blaue Reiter
More works to explore
Beyond Larionov and Der Blaue Reiter: works from the same years.
Same era · 1890s–1920s
Lozenge Composition with Yellow, Black, Blue, Red, and Gray
Piet Mondrian · 1921 · Art Institute of Chicago
Same era · 1890s–1920s
Burg on Fehmarn
Ernst Ludwig Kirchner · 1912 · Westphalian State Museum of Art and Cultural History
Same era · 1890s–1920s
The Lineman
Ivan Puni · 1927 · Art Institute of Chicago
Same era · 1890s–1920s
Birth
Marc Chagall · 1911 · Art Institute of Chicago
Same era · 1890s–1920s
Sirmione
John Singer Sargent · 1913 · The Metropolitan Museum of Art
Same era · 1890s–1920s
Still Life with Glass, Dice, Newspaper and Playing Card
Georges Braque · 1913 · Art Institute of Chicago
Same era · 1890s–1920s
Daniel-Henry Kahnweiler
Pablo Picasso · 1910 · Art Institute of Chicago
Same era · 1890s–1920s
Street Cart
Egon Schiele · 1914 · The Metropolitan Museum of Art
Same era · 1890s–1920s
The Magic Foot-ball, 'I thought you were wrong,' he said in triumph. 'You said it was nine! Stupid!'
Norman Rockwell · 1914 · Norman Rockwell Museum
Same era · 1890s–1920s
Bathers by a River
Henri Matisse · 1909 · Art Institute of Chicago
Same era · 1890s–1920s
Irises
Claude Monet · 1915 · National Gallery
Same era · 1890s–1920s
Maude Adams (1872–1953) as Joan of Arc
Alphonse Mucha · 1909 · The Metropolitan Museum of Art

