“This vibrant woodcut captures a moment of intimate connection in a lush Tahitian landscape, inviting you into Paul Gauguin's vision of a primal, spiritual world through bold forms and color.”
In "Here we make love," a woodcut printed in color, a Tahitian couple embraces under the watchful eye of a figure in the background, possibly a goddess or spirit. The scene unfolds within a dense, almost claustrophobic jungle, where large, stylized leaves and organic forms press in from all sides. Gauguin's distinctive use of flattened forms and vibrant, non-naturalistic colors transforms the natural world into a symbolic realm. The figures themselves are simplified, their bodies outlined boldly, emphasizing their connection to the lush, untamed environment. This work, created during Gauguin's first extended stay in Tahiti, reflects his fascination with what he perceived as a more primal, spiritual existence, a stark contrast to the European society he had left behind. The print's raw, almost primitive aesthetic, achieved through the woodcut medium, further enhances its evocative power, inviting viewers into a world of myth and passion.
- Artist
- Paul Gauguin
- Date
- 1893
- Medium
- Woodcut printed in color on wove paper
- Location
- The Metropolitan Museum of Art
- Dimensions
- 13 3/4 x 8 1/8 in. (34.9 x 20.6 cm)
- Collection
- Drawings and Prints
- Credit line
- Harris Brisbane Dick Fund, 1936
What to Notice
Five details hide in plain sight. Here’s where to look.

The embracing couple at the center, rendered with bold outlines.
The large, stylized leaves and organic shapes filling the composition.
The ambiguous figure in the background, observing the couple.
The vibrant, non-naturalistic colors used throughout the print.
1 more detail is waiting.
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Paul Gauguin
1848–1903 · FrancePaul Gauguin, the French Post-Impressionist, abandoned a stockbroker's life for art, famously seeking 'refuge from Western civilization' in Tahiti.
Further Works by Gauguin
("Leda") Design for a Plate: Shame on Those Who Evil Think (Honi Soit Qui Mal y Pense) ; cover illustration for the "Volpini Suite" entitled Lithographic Drawings (Dessins lithographiques)
1889 · The Metropolitan Museum of Art
Ia Orana Maria (Hail Mary)
1891 · The Metropolitan Museum of Art
Tahitian Women Bathing
1892 · The Metropolitan Museum of Art
The Siesta
1892 · The Metropolitan Museum of Art
A Farm in Brittany
1894 · The Metropolitan Museum of Art
Still Life with Teapot and Fruit
1896 · The Metropolitan Museum of Art
Three Tahitian Women
1896 · The Metropolitan Museum of Art
Two Tahitian Women
1899 · The Metropolitan Museum of Art
More from Symbolism
More works to explore
Beyond Gauguin and Symbolism: works from the same years, and from the other movements Here we make love belongs to.
Same movement · Post-Impressionism
Equestrienne (At the Cirque Fernando)
Henri de Toulouse-Lautrec · 1887 · Art Institute of Chicago
Same era · 1870s–1900s
A Woman Walking in a Garden
Vincent van Gogh · 1887 · Frans Buffa & sons
Same movement · Post-Impressionism
Carmelina
Henri Matisse · 1903 · Museum of Fine Arts Boston
Same era · 1870s–1900s
Still Life with Crayfish
Mikhail Larionov · 1900 · Museum Ludwig
Same movement · Post-Impressionism
The Old Guitarist
Pablo Picasso · 1903 · Art Institute of Chicago
Same era · 1870s–1900s
A Sunday on La Grande Jatte — 1884
Okada Saburosuke · 1884 · Art Institute of Chicago
Same movement · Impressionism
After the Bullfight
Mary Cassatt · 1873 · Art Institute of Chicago
Same era · 1870s–1900s
Madame Léon Clapisson
Léon-Victor Dupré · 1883 · Art Institute of Chicago
Same movement · Impressionism
A Turn in the Road
Alfred Sisley · 1873 · Art Institute of Chicago
Same era · 1870s–1900s
Frauenkopf vor Sonnenblumen
Ernst Ludwig Kirchner · 1906 · Museum Frieder Burda
Same movement · Post-Impressionism
Gustave Boyer (b. 1840) in a Straw Hat
Paul Cézanne · 1870 · The Metropolitan Museum of Art
Same era · 1870s–1900s
The Child's Bath
Mary Cassatt · 1893 · Art Institute of Chicago
Same movement · Impressionism
The Pink Dress (Albertie-Marguerite Carré, later Madame Ferdinand-Henri Himmes, 1854–1935)
Berthe Morisot · 1870 · Metropolitan Museum of Art
Same era · 1870s–1900s
The Hands
Edvard Munch · 1893 · Munch Museum
Same movement · Impressionism
The Beach at Sainte-Adresse
Claude Monet · 1867 · Art Institute of Chicago
Same era · 1870s–1900s
The Place du Havre, Paris
Camille Pissarro · 1893 · Art Institute of Chicago
Same movement · Impressionism
The Banks of the Marne in Winter
Camille Pissarro · 1866 · Art Institute of Chicago
Same era · 1870s–1900s
The Englishman (William Tom Warrener, 1861–1934) at the Moulin Rouge
Henri de Toulouse-Lautrec · 1892 · The Metropolitan Museum of Art
Same movement · Impressionism
Alfred Sisley
Pierre-Auguste Renoir · 1864 · Foundation E.G. Bührle Collection
Same era · 1870s–1900s
House and Courtyard
John Singer Sargent · 1895 · The Metropolitan Museum of Art
Same movement · Impressionism
Beggar with Oysters (Philosopher)
Édouard Manet · 1864 · Art Institute of Chicago
Same era · 1870s–1900s
Poppy Field (Giverny)
Claude Monet · 1891 · Art Institute of Chicago
Same movement · Impressionism
Young Spartan Girls Challenging Boys
Edgar Degas · 1860 · Art Institute of Chicago
Same era · 1870s–1900s
Young Girl with Hat
Berthe Morisot · 1891 · Art Institute of Chicago




