Eben Matthews as a Child by Artist Unknown - The Mercat Cross, Aberdeen

Eben Matthews as a Child

Artist Unknown - The Mercat Cross, Aberdeen · 1839

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“Stop to see one of the earliest forms of photography, a daguerreotype from 1839. This image of a child offers a direct, almost haunting connection to the very dawn of photographic portraiture.”

ABOUT THIS WORK

This daguerreotype, a very early form of photography, captures Eben Matthews as a child in 1839. He looks directly out at us, his expression serious and still, as was common for photographic subjects who had to hold poses for several minutes. The delicate, almost ethereal quality of the image is characteristic of daguerreotypes, which are unique, direct positives on a polished silver surface. The lack of color emphasizes the texture of his clothing and the subtle play of light and shadow on his face. This portrait offers a rare glimpse into the early days of photography, when the medium was a marvel, capable of freezing a moment in time with unprecedented clarity and detail, a stark contrast to the painted portraits that dominated before its invention. It serves as a poignant reminder of childhood in a bygone era, preserved through a revolutionary new technology.

DETAILS
Artist
Artist Unknown - The Mercat Cross, Aberdeen
Date
1839
Medium
Daguerreotype
Location
Art Institute of Chicago
Dimensions
Plate: 8.1 × 6.9 cm (3 1/4 × 2 3/4 in.); Case: 9.5 × 8.1 × 1.5 cm (3 3/4 × 3 1/4 × 5/8 in.)
Collection
Photography and Media
Culture
United States
Credit line
Gift of Miss Laura Matthews
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What to Notice

Five details hide in plain sight. Here’s where to look.

Eben Matthews as a Child
01

The delicate, almost mirrored surface of the daguerreotype itself.

02

The child's surprisingly formal clothing for a young boy.

03

The subtle, almost imperceptible tinting that may be present.

04

The way light reflects off the child's eyes, giving them a lifelike quality.

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THE ARTIST

Artist Unknown - The Mercat Cross, Aberdeen

This 'Artist Unknown' represents a vast collection of anonymous creators, whose works like 'Boston Common' and 'Self Portrait' offer glimpses into diverse historical periods and artistic practices.

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