“This drawing captures a dramatic moment from antiquity: Alexander the Great presenting his beloved Campaspe to the painter Apelles. It's a tale of generosity and artistic inspiration, rendered with exquisite detail and classical elegance.”
In this intricate drawing, Alexander the Great stands at the center, gesturing towards Campaspe, his favorite mistress, as he offers her to the painter Apelles. The scene unfolds with Apelles, seated at his easel on the right, looking up from his work to acknowledge the monarch's unexpected gift. Ingres captures the classical ideal of a ruler’s generosity and a painter’s devotion, emphasizing the narrative through carefully rendered figures and dramatic poses. The medium of graphite and brown wash allows for delicate shading and precise lines, highlighting the contours of the drapery and the expressions on the faces. This work, created early in the artist's career (he was 30 years old), reflects the Neoclassical interest in historical subjects and moralizing tales drawn from antiquity.
- Artist
- Jean-Auguste-Dominique Ingres
- Date
- 1810
- Medium
- Graphite, brush and brown wash
- Location
- The Metropolitan Museum of Art
- Dimensions
- Sheet: 11 3/8 × 14 1/8 in. (28.9 × 35.9 cm)
- Collection
- Drawings and Prints
- Credit line
- Bequest of Saretta Barnet, 2017
What to Notice
Five details hide in plain sight. Here’s where to look.

Alexander the Great's regal posture and outstretched arm.
The subtle blush on Campaspe's cheek as she is presented.
Apelles's intense gaze, fixed on Campaspe, not Alexander.
The detailed classical architecture in the background.
1 more detail is waiting.
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Jean-Auguste-Dominique Ingres
1780–1867 · FranceJean-Auguste-Dominique Ingres, a French Neoclassical painter, masterfully blended academic tradition with expressive distortions, influencing modernists like Matisse and Picasso.
Further Works by Ingres
Joseph-Antoine Moltedo (born 1775)
1805 · The Metropolitan Museum of Art
Amédée-David, the Comte de Pastoret
1823 · Art Institute of Chicago
The Virgin Adoring the Host
1841 · Pushkin Museum of Fine Arts
Joséphine-Éléonore-Marie-Pauline de Galard de Brassac de Béarn (1825–1860), Princesse de Broglie
1853 · Metropolitan Museum of Art
Frederic Sylvester Douglas
1815 · Art Institute of Chicago
Gabriel Cortois de Pressigny
1816 · Art Institute of Chicago
Pierre Alexandre Tardieu
1825 · Art Institute of Chicago
View of Saint Peter's in Rome
Art Institute of Chicago
More from Romanticism
More works to explore
Beyond Ingres and Romanticism: works from the same years, and from the other movements Alexander the Great presenting Campaspe to Apelles belongs to.
Same movement · Academic art
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Same era · 1790s–1820s
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J. M. W. Turner · 1809 · Tate
Same movement · Neoclassicism
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Jacques-Louis David · 1768 · The Metropolitan Museum of Art
Same era · 1790s–1820s
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Caspar David Friedrich · 1818 · Hamburger Kunsthalle
Same movement · Academic art
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Caravaggio · 1600 · Pinacoteca Vaticana
Same era · 1790s–1820s
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Jacques-Louis David · 1800 · Musée national de Malmaison et Bois-Préau
Same movement · Academic art
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Michelangelo · 1509 · Sistine Chapel
Same era · 1790s–1820s
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Same movement · Academic art
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Same era · 1790s–1820s
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Same movement · Academic art
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Raphael · Metropolitan Museum of Art
Same era · 1790s–1820s
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Samuel Jones · 1819 · Art Institute of Chicago
Same era · 1790s–1820s
Sketchbook: Souvenir of Naples
Artist Unknown - The Mercat Cross, Aberdeen · 1821 · The Metropolitan Museum of Art
Same era · 1790s–1820s
Boy with an axe
Vasily Andreevich Tropinin · 1810 · Belarusian National Arts Museum
Same era · 1790s–1820s
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Thomas Stewardson · 1810 · Abbot Hall Art Gallery
Same era · 1790s–1820s
Captain William Rogers capturing the 'Jeune Richard', 1 October 1807
Samuel Drummond · 1808 · Royal Museums Greenwich
Same era · 1790s–1820s
Yachts of the Cumberland Society Racing on the Thames, circa 1815
William Havell · 1815 · Royal Museums Greenwich
Same era · 1790s–1820s
Winchester from the South
Tobias Young · 1803 · Winchester Guildhall




