“This gold medal from 1842, awarded by Cambridge University, is a stunning example of Neoclassical engraving, featuring the goddess Minerva and an intricate laurel wreath. It embodies the era's appreciation for classical ideals and meticulous craftsmanship.”
This gold medal, struck in 1842, celebrates academic excellence at Cambridge University with its intricate design. On one side, a classical figure of Minerva, the Roman goddess of wisdom, is depicted seated, holding a spear and a shield, her gaze thoughtful and serene. The reverse features a wreath of laurel leaves, a traditional symbol of victory and achievement, encircling an inscription. The meticulous detail in the goddess's drapery and the precision of the lettering showcase the high level of craftsmanship involved in creating such a prestigious award. This medal reflects the Neoclassical aesthetic popular in the 19th century, drawing inspiration from ancient Greek and Roman art to convey timeless ideals of learning and accomplishment. It was created by William Wyon, who was the chief engraver at the Royal Mint.
- Artist
- William Wyon
- Date
- 1842
- Medium
- Gold
- Location
- The Metropolitan Museum of Art
- Dimensions
- Diameter: 5 13/16 in. (148 mm)
- Collection
- European Sculpture and Decorative Arts
- Culture
- British
- Credit line
- Gift of Assunta Sommella Peluso, Ada Peluso, and Romano I. Peluso, in memory of Ignazio Peluso, 2000
What to Notice
Five details hide in plain sight. Here’s where to look.

Observe Minerva's helmet, adorned with a griffin, a mythical protector.
Notice the texture of the laurel wreath, indicating individual leaves.
Look closely at the flowing drapery of Minerva's gown, suggesting movement.
Spot the small inscription below Minerva’s feet, likely the artist’s signature.
1 more detail is waiting.
See all 5 in Art Whisper →Stand in front of it and listen
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William Wyon
1795–1851 · British EmpireWilliam Wyon, Chief Engraver at the Royal Mint, left an indelible mark on British coinage and even the world's first adhesive postage stamp, the Penny Black.
Further Works by Wyon
George III "Incorrupta" crown
1817 · The Metropolitan Museum of Art
"Three Graces" crown
1817 · The Metropolitan Museum of Art
Study for "Flying Victory"
1825 · The Metropolitan Museum of Art
George IV crown
1826 · The Metropolitan Museum of Art
Coronation of William IV
1831 · The Metropolitan Museum of Art
William IV proof crown
1831 · The Metropolitan Museum of Art
Queen Victoria's Visit to the Corporation of London
1837 · The Metropolitan Museum of Art
Victoria proof sovereign
1837 · The Metropolitan Museum of Art
More works to explore
Beyond Wyon: works from the same years.
Same era · 1820s–1850s
The Estuary Farm
Léon-Victor Dupré · 1831 · Art Institute of Chicago
Same era · 1820s–1850s
Snow Storm: Steam-Boat off a Harbour's Mouth
J. M. W. Turner · 1842 · National Gallery
Same era · 1820s–1850s
The Virgin Adoring the Host
Jean-Auguste-Dominique Ingres · 1841 · Pushkin Museum of Fine Arts
Same era · 1820s–1850s
Young Woman
Jean-François Millet · 1844 · Art Institute of Chicago
Same era · 1820s–1850s
Hamlet and Horatio in the Graveyard
Eugène Delacroix · 1839 · Department of Paintings of the Louvre
Same era · 1820s–1850s
Wooded Landscape
Gustave Courbet · 1848 · Art Institute of Chicago
Same era · 1820s–1850s
Mount Chocorua and Moat Mountain from North Conway
William Hart · 1850
Same era · 1820s–1850s
Olive Trees
Vincent van Gogh · 1853 · The Metropolitan Museum of Art
Same era · 1820s–1850s
Woman in a Blue Dress
School of William Matthew Prior · 1840 · Art Institute of Chicago
Same era · 1820s–1850s
Designs for a Decorated Dish, or Platter, and a Biscuit Barrel
Alfred Henry Forrester [Alfred Crowquill] · 1845 · The Metropolitan Museum of Art
Same era · 1820s–1850s
Mr. James Mackie
Samuel Alcock & Company · 1830 · Art Institute of Chicago
Same era · 1820s–1850s
The Captive Slave (Ira Aldridge)
John Philip Simpson · 1827 · Art Institute of Chicago
