“Stop to examine this proof crown from 1831, a stunning example of royal portraiture and heraldry by William Wyon, the chief engraver of the Royal Mint. It's a testament to the artistry involved in creating currency during King William IV's reign.”
This proof crown, struck in 1831, presents a regal portrait of William IV, captured with remarkable detail in silver. The monarch's profile dominates one side, a dignified and weighty presence that speaks to the authority of the British crown. On the reverse, a finely rendered coat of arms is surrounded by the inscription 'BRITANNIARUM REX FIDEI DEFENSOR' (King of the Britains, Defender of the Faith), asserting the king's dominion and religious role. This coin was created by William Wyon, who became the chief engraver at the Royal Mint in 1828. His skill in neoclassical relief sculpture is evident in the crisp lines and balanced composition, reflecting the prevailing artistic tastes of the era. The meticulous craftsmanship of this piece underscores its function not just as currency, but as a miniature work of art and a statement of national identity.
- Artist
- William Wyon
- Date
- 1831
- Medium
- Silver
- Location
- The Metropolitan Museum of Art
- Dimensions
- Diameter: 150 mm.
- Collection
- European Sculpture and Decorative Arts
- Culture
- British
- Credit line
- Gift of Assunta Sommella Peluso, Ada Peluso, and Romano I. Peluso, in memory of Ignazio Peluso, 2000
What to Notice
Five details hide in plain sight. Here’s where to look.

The regal profile of William IV on one side, facing right.
The inscription 'GULIELMUS IIII D: G: BRITANNIAR: REX F: D:' around the king's head.
The intricate detail of the royal coat of arms on the reverse.
The date '1831' prominently displayed beneath the coat of arms.
1 more detail is waiting.
See all 5 in Art Whisper →Stand in front of it and listen
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William Wyon
1795–1851 · British EmpireWilliam Wyon, Chief Engraver at the Royal Mint, left an indelible mark on British coinage and even the world's first adhesive postage stamp, the Penny Black.
Further Works by Wyon
George III "Incorrupta" crown
1817 · The Metropolitan Museum of Art
"Three Graces" crown
1817 · The Metropolitan Museum of Art
Study for "Flying Victory"
1825 · The Metropolitan Museum of Art
George IV crown
1826 · The Metropolitan Museum of Art
Coronation of William IV
1831 · The Metropolitan Museum of Art
Queen Victoria's Visit to the Corporation of London
1837 · The Metropolitan Museum of Art
Victoria proof sovereign
1837 · The Metropolitan Museum of Art
Victoria sovereign
1838 · The Metropolitan Museum of Art
More works to explore
Beyond Wyon: works from the same years.
Same era · 1810s–1840s
The Estuary Farm
Léon-Victor Dupré · 1831 · Art Institute of Chicago
Same era · 1810s–1840s
The Thames above Waterloo Bridge
J. M. W. Turner · 1830 · National Gallery
Same era · 1810s–1840s
The Combat of the Giaour and Hassan
Eugène Delacroix · 1826 · Art Institute of Chicago
Same era · 1810s–1840s
The Fortune Teller (La Bonne Aventure)
Jacques-Louis David · 1824 · Fine Arts Museums of San Francisco
Same era · 1810s–1840s
Amédée-David, the Comte de Pastoret
Jean-Auguste-Dominique Ingres · 1823 · Art Institute of Chicago
Same era · 1810s–1840s
Saturn Devouring His Son
Francisco Goya · 1820 · Museo del Prado
Same era · 1810s–1840s
Two Men Contemplating the Moon
Caspar David Friedrich · 1819 · Staatliche Kunstsammlungen Dresden
Same era · 1810s–1840s
Young Woman
Jean-François Millet · 1844 · Art Institute of Chicago
Same era · 1810s–1840s
Mr. James Mackie
Samuel Alcock & Company · 1830 · Art Institute of Chicago
Same era · 1810s–1840s
The Captive Slave (Ira Aldridge)
John Philip Simpson · 1827 · Art Institute of Chicago
Same era · 1810s–1840s
The Five Points
Artist Unknown - The Mercat Cross, Aberdeen · 1822 · The Metropolitan Museum of Art
Same era · 1810s–1840s
Woman in a Blue Dress
School of William Matthew Prior · 1840 · Art Institute of Chicago
