“Stop to admire this exquisite gold crown from 1817, a miniature masterpiece that brings the classical ideal of the Three Graces to life on one side, and King George III on the other. It's a testament to the era's blend of artistry and currency.”
This small gold coin, a "crown" from 1817, features a classical scene on its reverse: three allegorical figures, the Graces, arranged in a harmonious, almost dance-like pose. Their bodies are rendered with a delicate naturalism, their drapery flowing and light. This Neoclassical style was very much in vogue during the early 19th century, reflecting a widespread fascination with ancient Greek and Roman art. On the obverse, the profile of King George III, then in the final years of his long reign, is depicted with a dignified realism. The coin's small scale belies the intricate detail and precision required to engrave such a complex design onto a metal die. It exemplifies the era's ambition to elevate coinage beyond mere currency, transforming it into miniature works of art that conveyed both national identity and artistic ideals.
- Artist
- William Wyon
- Date
- 1817
- Medium
- Gold
- Location
- The Metropolitan Museum of Art
- Dimensions
- Diameter: 39 mm
What to Notice
Five details hide in plain sight. Here’s where to look.

The three Graces on the reverse, intertwined in a graceful composition.
The finely detailed drapery on the Graces, suggesting movement and form.
King George III's profile on the obverse, rendered with regal dignity.
The crispness of the lettering around the king's portrait.
1 more detail is waiting.
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William Wyon
1795–1851 · British EmpireWilliam Wyon, Chief Engraver at the Royal Mint, left an indelible mark on British coinage and even the world's first adhesive postage stamp, the Penny Black.
Further Works by Wyon
George III "Incorrupta" crown
1817 · The Metropolitan Museum of Art
Study for "Flying Victory"
1825 · The Metropolitan Museum of Art
George IV crown
1826 · The Metropolitan Museum of Art
Coronation of William IV
1831 · The Metropolitan Museum of Art
William IV proof crown
1831 · The Metropolitan Museum of Art
Queen Victoria's Visit to the Corporation of London
1837 · The Metropolitan Museum of Art
Victoria proof sovereign
1837 · The Metropolitan Museum of Art
Victoria sovereign
1838 · The Metropolitan Museum of Art
More works to explore
Beyond Wyon: works from the same years.
Same era · 1800s–1830s
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The Farewell of Telemachus and Eucharis
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Wanderer above the Sea of Fog
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Same era · 1800s–1830s
England: Richmond Hill, on the Prince Regent's Birthday
J. M. W. Turner · 1819 · National Gallery
Same era · 1800s–1830s
Male Academy Figure: Half-Length, Side View
Eugène Delacroix · 1819 · Karen B. Cohen Collection
Same era · 1800s–1830s
Saturn Devouring His Son
Francisco Goya · 1820 · Museo del Prado
Same era · 1800s–1830s
Amédée-David, the Comte de Pastoret
Jean-Auguste-Dominique Ingres · 1823 · Art Institute of Chicago
Same era · 1800s–1830s
Conflagration of the Masonic Hall, Chestnut Street, Philadelphia, Pennsylvania
Samuel Jones · 1819 · Art Institute of Chicago
Same era · 1800s–1830s
Sketchbook: Souvenir of Naples
Artist Unknown - The Mercat Cross, Aberdeen · 1821 · The Metropolitan Museum of Art
Same era · 1800s–1830s
The Captive Slave (Ira Aldridge)
John Philip Simpson · 1827 · Art Institute of Chicago
Same era · 1800s–1830s
Mr. James Mackie
Samuel Alcock & Company · 1830 · Art Institute of Chicago
Same era · 1800s–1830s
Samuel Fisher Bradford
Rembrandt Peale · 1803 · Art Institute of Chicago
