William Wyon, 1825
Discover a preparatory wax study by William Wyon, the renowned Chief Engraver of the Royal Mint, showcasing his mastery of Neoclassical relief sculpture and the intricate process behind his iconic coin and medal designs.
This fascinating wax study by William Wyon offers a rare glimpse into the meticulous process behind the creation of medals and coins, a field in which Wyon was a true master. As Chief Engraver at the Royal Mint from 1828 until his death, Wyon was responsible for designing the effigies of monarchs from George IV to Queen Victoria, as well as numerous commemorative medals. This particular study for "Flying Victory," created in 1825, predates his official appointment as chief engraver but showcases the Neoclassical style he championed, influenced by artists like John Flaxman. Wyon's skill in relief sculpture is evident even in this small-scale work, demonstrating his ability to imbue a seemingly simple figure with dynamic energy and classical grace. The use of wax on slate allowed Wyon to model the intricate details of the figure before translating them into the more durable medium of metal, a testament to the precision required in his craft. This study is an important example of the preparatory work that underpinned his prodigious output, which included the iconic 'Young Head' of Victoria that graced British coinage for decades and even influenced the design of the Penny Black postage stamp.
The delicate, flowing drapery of Victory's gown
Her outstretched arm and the sense of forward motion
The classical profile and serene expression
Discover a preparatory wax study by William Wyon, the renowned Chief Engraver of the Royal Mint, showcasing his mastery of Neoclassical relief sculpture and th…
William Wyon, Chief Engraver at the Royal Mint, left an indelible mark on British coinage and even the world's first adhesive postage stamp, the Penny Black.
Read William's full story in Art Whisper