“This silver medal offers a glimpse into a royal coronation, capturing the likeness of William IV and symbolic imagery in exquisite miniature detail, all from the year 1831.”
This small silver medal commemorates the coronation of William IV in 1831, a significant moment in British history. On one side, the profile of the new king faces right, his regal features meticulously rendered. The reverse side depicts a crowned Britannia, seated and holding a trident and olive branch, symbolizing naval power and peace. The careful execution of these figures, despite the medal's small diameter of just over an inch, speaks to the skill required for such miniature relief sculpture. This piece, created by the chief engraver at the Royal Mint, serves as a tangible link to a pivotal royal event, designed to be both a memento and a miniature work of art.
- Artist
- William Wyon
- Date
- 1831
- Medium
- Silver
- Location
- The Metropolitan Museum of Art
- Dimensions
- Diameter: 1 5/16 in. (33 mm)
What to Notice
Five details hide in plain sight. Here’s where to look.

The king's detailed profile, including his hair and laurel wreath.
The inscription surrounding William IV's portrait.
Britannia's trident and olive branch on the reverse.
The intricate details of Britannia's helmet and drapery.
1 more detail is waiting.
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William Wyon
1795–1851 · British EmpireWilliam Wyon, Chief Engraver at the Royal Mint, left an indelible mark on British coinage and even the world's first adhesive postage stamp, the Penny Black.
Further Works by Wyon
George III "Incorrupta" crown
1817 · The Metropolitan Museum of Art
"Three Graces" crown
1817 · The Metropolitan Museum of Art
Study for "Flying Victory"
1825 · The Metropolitan Museum of Art
George IV crown
1826 · The Metropolitan Museum of Art
William IV proof crown
1831 · The Metropolitan Museum of Art
Queen Victoria's Visit to the Corporation of London
1837 · The Metropolitan Museum of Art
Victoria proof sovereign
1837 · The Metropolitan Museum of Art
Victoria sovereign
1838 · The Metropolitan Museum of Art
More works to explore
Beyond Wyon: works from the same years.
Same era · 1810s–1840s
The Estuary Farm
Léon-Victor Dupré · 1831 · Art Institute of Chicago
Same era · 1810s–1840s
Two Women with a Letter
J. M. W. Turner · 1830 · National Gallery
Same era · 1810s–1840s
The Combat of the Giaour and Hassan
Eugène Delacroix · 1826 · Art Institute of Chicago
Same era · 1810s–1840s
The Fortune Teller (La Bonne Aventure)
Jacques-Louis David · 1824 · Fine Arts Museums of San Francisco
Same era · 1810s–1840s
Amédée-David, the Comte de Pastoret
Jean-Auguste-Dominique Ingres · 1823 · Art Institute of Chicago
Same era · 1810s–1840s
Saturn Devouring His Son
Francisco Goya · 1820 · Museo del Prado
Same era · 1810s–1840s
Two Men Contemplating the Moon
Caspar David Friedrich · 1819 · Staatliche Kunstsammlungen Dresden
Same era · 1810s–1840s
Young Woman
Jean-François Millet · 1844 · Art Institute of Chicago
Same era · 1810s–1840s
Mr. James Mackie
Samuel Alcock & Company · 1830 · Art Institute of Chicago
Same era · 1810s–1840s
The Captive Slave (Ira Aldridge)
John Philip Simpson · 1827 · Art Institute of Chicago
Same era · 1810s–1840s
The Five Points
Artist Unknown - The Mercat Cross, Aberdeen · 1822 · The Metropolitan Museum of Art
Same era · 1810s–1840s
Woman in a Blue Dress
School of William Matthew Prior · 1840 · Art Institute of Chicago
