“Stop to appreciate this striking 16th-century chiaroscuro woodcut, where dramatic light and shadow bring a mysterious scene of a Sibyl reading by torchlight to life. It's an early example of color printing, showcasing a design so popular it was copied by multiple artists.”
A mysterious woman, the Sibyl, reads intently from a book, her face illuminated by the flickering light of a torch held by a child. This captivating scene, from around 1520, was created using a chiaroscuro woodcut technique, where two blocks were printed one over the other: one for the deep black lines and another for the warm ochre tone that gives the print its dramatic glow. The technique itself was relatively new in Italy, pioneered by Ugo da Carpi, and this particular impression is one of several versions made by unknown artists who copied Ugo’s original design. The initial "R" in the upper left corner suggests an attribution to Raphael, highlighting the influence of his designs even in prints made by others. This work’s popularity is clear, demonstrating the widespread appeal of such evocative and technically innovative imagery in the early 16th century.
- Artist
- Artist Unknown - The Mercat Cross, Aberdeen
- Date
- 1520
- Medium
- Chiaroscuro woodcut from two blocks in black and ochre on ivory laid paper
- Location
- Art Institute of Chicago
- Dimensions
- 27.6 × 21.9 cm (10 7/8 × 8 5/8 in.)
- Collection
- Prints and Drawings
- Culture
- Italy
- Credit line
- Print and Drawing Club Fund
What to Notice
Five details hide in plain sight. Here’s where to look.

The child's torch, the sole light source, casting dramatic shadows.
The Sibyl's intense gaze, fixed on the open book.
The "R" in the upper left corner, hinting at Raphael's influence.
The interplay of black and ochre, creating depth and warmth.
1 more detail is waiting.
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Artist Unknown - The Mercat Cross, Aberdeen
This 'Artist Unknown' represents a vast collection of anonymous creators, whose works like 'Boston Common' and 'Self Portrait' offer glimpses into diverse historical periods and artistic practices.
Further Works by Aberdeen
Southern Barbarians
1625 · Art Institute of Chicago
Baskets with Flowers of the Four Seasons
1701 · Art Institute of Chicago
Flower Arrangements
1595 · Art Institute of Chicago
Sketchbook: Souvenir of Naples
1821 · The Metropolitan Museum of Art
The Five Points
1822 · The Metropolitan Museum of Art
Side Chair
1750 · Art Institute of Chicago
Pair of Side Chairs
1770 · Art Institute of Chicago
Punch Bowl
1789 · Art Institute of Chicago
More works to explore
Beyond Aberdeen: works from the same years.
Same era · 1500s–1530s
Two Medallions with Symbolic-Religious Representations
Hieronymus Bosch · 1515 · Museum Boijmans Van Beuningen
Same era · 1500s–1530s
Saint Jerome in His Study
Albrecht Dürer · 1521 · National Museum of Ancient Art
Same era · 1500s–1530s
Tobias and the Angel
Titian · 1530 · Madonna dell'Orto
Same era · 1500s–1530s
Drunkenness of Noah
Michelangelo · 1509 · Sistine Chapel
Same era · 1500s–1530s
The Transfiguration
Raphael (Raffaello Sanzio da Urbino) · 1516
Same era · 1500s–1530s
The Head of the Virgin in Three-Quarter View Facing Right
Leonardo da Vinci · 1510 · The Metropolitan Museum of Art
Same era · 1500s–1530s
The Rich Man Playing Violin on a Jaw Bone
Pieter Bruegel the Elder · 1528 · The Metropolitan Museum of Art
