“This medal, commemorating a British military campaign, showcases Queen Victoria as a classical empress and uses ancient Roman imagery to celebrate imperial power on a tiny, detailed bronze disk.”
This small bronze medal, struck in 1843, commemorates the British military campaign in Sindh (now part of Pakistan). On one side, a powerful image of Queen Victoria depicts her as a classical empress, crowned with laurels. Her profile is crisp and strong, a testament to the engraver's skill in rendering a recognizable portrait on such a small scale. The reverse side features a dynamic scene of a Roman-style warrior, holding a shield and sword, trampling a defeated foe. This imagery connects the contemporary British victory to ancient imperial might, a common artistic trope of the era, elevating the conflict to a heroic, almost mythical status. The meticulous detail in the armor and drapery, despite the medal's diminutive size, highlights the precision required for such a commission.
- Artist
- William Wyon
- Date
- 1843
- Medium
- Bronze
- Location
- The Metropolitan Museum of Art
- Dimensions
- Diam. 1 7/16 in. (37 mm.)
What to Notice
Four details hide in plain sight. Here’s where to look.

Observe Queen Victoria's laurel wreath, a classical symbol of victory.
Look closely at the warrior on the reverse, note his Roman-style armor.
See the defeated figure beneath the warrior's feet, symbolizing conquest.
Notice the fine lettering around the edges, indicating the medal's purpose.
Stand in front of it and listen
The full narration walks you through The Scinde Medal — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
William Wyon
1795–1851 · British EmpireWilliam Wyon, Chief Engraver at the Royal Mint, left an indelible mark on British coinage and even the world's first adhesive postage stamp, the Penny Black.
Further Works by Wyon
George III "Incorrupta" crown
1817 · The Metropolitan Museum of Art
"Three Graces" crown
1817 · The Metropolitan Museum of Art
Study for "Flying Victory"
1825 · The Metropolitan Museum of Art
George IV crown
1826 · The Metropolitan Museum of Art
Coronation of William IV
1831 · The Metropolitan Museum of Art
William IV proof crown
1831 · The Metropolitan Museum of Art
Queen Victoria's Visit to the Corporation of London
1837 · The Metropolitan Museum of Art
Victoria proof sovereign
1837 · The Metropolitan Museum of Art
More works to explore
Beyond Wyon: works from the same years.
Same era · 1820s–1850s
The Cottage by the Roadside, Stormy Sky
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Snow Storm: Steam-Boat off a Harbour's Mouth
J. M. W. Turner · 1842 · National Gallery
Same era · 1820s–1850s
Young Woman
Jean-François Millet · 1844 · Art Institute of Chicago
Same era · 1820s–1850s
The Virgin Adoring the Host
Jean-Auguste-Dominique Ingres · 1841 · Pushkin Museum of Fine Arts
Same era · 1820s–1850s
Hamlet and Horatio in the Graveyard
Eugène Delacroix · 1839 · Department of Paintings of the Louvre
Same era · 1820s–1850s
Wooded Landscape
Gustave Courbet · 1848 · Art Institute of Chicago
Same era · 1820s–1850s
Mount Chocorua and Moat Mountain from North Conway
William Hart · 1850
Same era · 1820s–1850s
Olive Trees
Vincent van Gogh · 1853 · The Metropolitan Museum of Art
Same era · 1820s–1850s
Designs for a Decorated Dish, or Platter, and a Biscuit Barrel
Alfred Henry Forrester [Alfred Crowquill] · 1845 · The Metropolitan Museum of Art
Same era · 1820s–1850s
Woman in a Blue Dress
School of William Matthew Prior · 1840 · Art Institute of Chicago
Same era · 1820s–1850s
Mr. James Mackie
Samuel Alcock & Company · 1830 · Art Institute of Chicago
Same era · 1820s–1850s
Dmitriy Petrovich Voeykov
Vasily Andreevich Tropinin · 1842 · Tretyakov Gallery
