The Kaunitz Sisters (Leopoldine, Caroline, and Ferdinandine)

Jean-Auguste-Dominique Ingres, 1818

MEDIUMGraphite on laid paper
DIMENSIONSSheet: 11 7/8 × 8 3/4 in. (30.2 × 22.2 cm)
LOCATIONThe Metropolitan Museum of Art
COLLECTIONDrawings and Prints
CREDIT LINEGift of Mrs. Charles Wrightsman, in honor of Philippe de Montebello, 1998

Ingres, a Neoclassical master, captures the individual charm of three sisters with exquisite detail in this 1818 graphite portrait, showcasing his renowned skill in draftsmanship.

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ABOUT THIS WORK

Jean-Auguste-Dominique Ingres, a master of Neoclassicism, created this intimate graphite drawing of 'The Kaunitz Sisters' in 1818. Though Ingres aspired to be a history painter in the grand tradition of Poussin and David, it is his portraits, both painted and drawn, that are considered his most enduring legacy. This piece exemplifies his exceptional skill in capturing individual likeness and character with delicate precision. Ingres was known for his profound connection to past artistic traditions, yet his expressive distortions of form and space also made him an important precursor to modern art. Here, we see three young women, likely from a prominent family, rendered with a sensitivity that reveals not only their physical features but also hints at their personalities. The medium of graphite on laid paper allowed Ingres to achieve a remarkable subtlety in shading and line, bringing a lifelike quality to the sitters.

ART MOVEMENTS
Academic artClassicismNeoclassicismRomanticism
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What to Notice

1

The delicate rendering of each sister's unique facial features.

2

The intricate details of their hairstyles and period fashion.

3

The subtle variations in graphite shading creating depth.

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Audio Deep Dive

Ingres, a Neoclassical master, captures the individual charm of three sisters with exquisite detail in this 1818 graphite portrait, showcasing his renowned ski…

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THE ARTIST
Jean-Auguste-Dominique Ingres 1780–1867 · France

Jean-Auguste-Dominique Ingres, a French Neoclassical painter, masterfully blended academic tradition with expressive distortions, influencing modernists like Matisse and Picasso.

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