“Stop and admire this exquisite graphite portrait of three sisters. Their serene expressions and the artist's meticulous detail in capturing their likenesses offer a glimpse into early 19th-century elegance and the enduring appeal of portraiture.”
Three young women, likely sisters, are captured in this intimate graphite drawing, their gazes gentle and composed. The subtle variations in their expressions and postures suggest distinct personalities, even within the unifying elegance of their attire. The central figure, perhaps the eldest, holds a small, delicate fan, a common accessory of the era that hints at their social standing. The artist has meticulously rendered the textures of their clothing and hair, from the soft folds of fabric to the carefully arranged curls framing their faces. This work, created in 1818, exemplifies the Neoclassical ideal of refined beauty and precise draftsmanship, a style that valued clarity and idealized forms. It is a quiet moment, yet one imbued with a sense of grace and timelessness, reflecting the artist's dedication to capturing individual likenesses with understated dignity.
- Artist
- Jean-Auguste-Dominique Ingres
- Date
- 1818
- Medium
- Graphite on laid paper
- Location
- The Metropolitan Museum of Art
- Dimensions
- Sheet: 11 7/8 × 8 3/4 in. (30.2 × 22.2 cm)
- Collection
- Drawings and Prints
- Credit line
- Gift of Mrs. Charles Wrightsman, in honor of Philippe de Montebello, 1998
What to Notice
Five details hide in plain sight. Here’s where to look.

The delicate fan held by the central sister.
The subtle differences in each sister's hairstyle.
The intricate folds and textures of their dresses.
The soft, almost ethereal quality of the graphite lines.
1 more detail is waiting.
See all 5 in Art Whisper →Stand in front of it and listen
The full narration walks you through The Kaunitz Sisters (Leopoldine, Caroline, and Ferdinandine) — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Jean-Auguste-Dominique Ingres
1780–1867 · FranceJean-Auguste-Dominique Ingres, a French Neoclassical painter, masterfully blended academic tradition with expressive distortions, influencing modernists like Matisse and Picasso.
Further Works by Ingres
Joseph-Antoine Moltedo (born 1775)
1805 · The Metropolitan Museum of Art
Amédée-David, the Comte de Pastoret
1823 · Art Institute of Chicago
The Virgin Adoring the Host
1841 · Pushkin Museum of Fine Arts
Joséphine-Éléonore-Marie-Pauline de Galard de Brassac de Béarn (1825–1860), Princesse de Broglie
1853 · Metropolitan Museum of Art
Frederic Sylvester Douglas
1815 · Art Institute of Chicago
Gabriel Cortois de Pressigny
1816 · Art Institute of Chicago
Pierre Alexandre Tardieu
1825 · Art Institute of Chicago
View of Saint Peter's in Rome
Art Institute of Chicago
More from Romanticism
More works to explore
Beyond Ingres and Romanticism: works from the same years, and from the other movements The Kaunitz Sisters (Leopoldine, Caroline, and Ferdinandine) belongs to.
Same movement · Academic art
The Combat of the Giaour and Hassan
Eugène Delacroix · 1826 · Art Institute of Chicago
Same era · 1800s–1830s
The Estuary Farm
Léon-Victor Dupré · 1831 · Art Institute of Chicago
Same movement · Neoclassicism
Head of a Child
Jacques-Louis David · 1768 · The Metropolitan Museum of Art
Same era · 1800s–1830s
The Farewell of Telemachus and Eucharis
Jacques-Louis David · 1818 · J. Paul Getty Museum
Same movement · Academic art
The Entombment of Christ
Caravaggio · 1600 · Pinacoteca Vaticana
Same era · 1800s–1830s
Wanderer above the Sea of Fog
Caspar David Friedrich · 1818 · Hamburger Kunsthalle
Same movement · Academic art
Drunkenness of Noah
Michelangelo · 1509 · Sistine Chapel
Same era · 1800s–1830s
England: Richmond Hill, on the Prince Regent's Birthday
J. M. W. Turner · 1819 · National Gallery
Same movement · Academic art
Mona Lisa
Leonardo da Vinci · 1503 · Department of Paintings of the Louvre
Same era · 1800s–1830s
Saturn Devouring His Son
Francisco Goya · 1820 · Museo del Prado
Same movement · Academic art
Lucretia
Raphael · Metropolitan Museum of Art
Same era · 1800s–1830s
Conflagration of the Masonic Hall, Chestnut Street, Philadelphia, Pennsylvania
Samuel Jones · 1819 · Art Institute of Chicago
Same era · 1800s–1830s
Sketchbook: Souvenir of Naples
Artist Unknown - The Mercat Cross, Aberdeen · 1821 · The Metropolitan Museum of Art
Same era · 1800s–1830s
The Captive Slave (Ira Aldridge)
John Philip Simpson · 1827 · Art Institute of Chicago
Same era · 1800s–1830s
Mr. James Mackie
Samuel Alcock & Company · 1830 · Art Institute of Chicago
Same era · 1800s–1830s
Samuel Fisher Bradford
Rembrandt Peale · 1803 · Art Institute of Chicago
Same era · 1800s–1830s
Portrait of A. V. Tropinin
Vasily Andreevich Tropinin · 1818 · Tretyakov Gallery
Same era · 1800s–1830s
Admiral Sir Pulteney Malcolm (1768–1838)
Thomas Stewardson · 1819 · Annan Museum




