Netted horse rump
Look at the big horse seen from behind in the center, its hindquarters wrapped in a crisscross net of straps. It makes a solid anchor in the chaos.

“Witness the overwhelming power of nature and divine wrath in this massive woodcut. Titian's early masterpiece captures the biblical submersion of Pharaoh's army with astonishing detail and dramatic force, making you feel the chaos of the churning Red Sea.”
Chaos reigns in this monumental woodcut, as Pharaoh's army and their horses are engulfed by the churning waters of the Red Sea. In the foreground, a mass of bodies and flailing limbs are tossed amidst the waves, some still clinging to chariots or desperately reaching for salvation. The sheer scale of the print, made from twelve separate blocks, intensifies the drama, allowing for an astonishing level of detail in the swirling currents and the expressions of terror on the doomed soldiers. This isn't just a biblical scene; it's a powerful depiction of divine retribution, with the tiny, almost incidental figure of Moses (far left) calmly observing the cataclysm he has unleashed. The artist, working in Venice, was a leading figure of the High Renaissance, and this early work demonstrates his ambition in printmaking, a medium not typically associated with such grand narrative compositions.
Five details hide in plain sight. Pick one and we’ll show you exactly where to look.
Look at the big horse seen from behind in the center, its hindquarters wrapped in a crisscross net of straps. It makes a solid anchor in the chaos.
Just right of center, a soldier pitches down with limbs flung out, his head and face close to the water. The fall of the army becomes personal here.
At top right, a horse throws its head up, its mane streaming and its mouth open. Its frantic movement adds to the panic of the army as the water rises.
A lone helmet floats on the waves at lower right. It is easy to miss, and it suggests a soldier who has already gone under.
In the lower half, the sea is built from long, swelling lines that thicken and thin. Rolling water is made from simple black strokes on paper.
The full narration walks you through The Submersion of Pharaoh's Army in the Red Sea — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Titian, the Venetian master, revolutionized Renaissance painting with his vibrant use of color and dramatic compositions, leaving behind an immense legacy.
Jacopo Pesaro, Bishop of Paphos, being presented by Pope Alexander VI to Saint Peter
1504 · Royal Museum of Fine Arts Antwerp
Tobias and the Angel
1530 · Madonna dell'Orto
Penitent Magdalene
1575
Flora
1517 · Uffizi Gallery
Venus and Adonis
1554 · Museo del Prado
Diana and Actaeon
1557 · National Gallery
Venus and the Lute Player
1567 · Metropolitan Museum of Art
Beyond Titian and High Renaissance: works from the same years.
Same era · 1490s–1520s
The Adoration of the Kings
Hieronymus Bosch · 1514 · National Trust
Same era · 1490s–1520s
Saint Jerome in His Study
Albrecht Dürer · 1521 · National Museum of Ancient Art
Same era · 1490s–1520s
The Transfiguration
Raphael (Raffaello Sanzio da Urbino) · 1516
Same era · 1490s–1520s
The Head of the Virgin in Three-Quarter View Facing Right
Leonardo da Vinci · 1510 · The Metropolitan Museum of Art
Same era · 1490s–1520s
The Sibyl and a Child Bearing a Torch
Artist Unknown - The Mercat Cross, Aberdeen · 1520 · Art Institute of Chicago
Same era · 1490s–1520s
The Rich Man Playing Violin on a Jaw Bone
Pieter Bruegel the Elder · 1528 · The Metropolitan Museum of Art