This drypoint self-portrait by Ottilie Wilhelmine Roederstein offers a direct and intimate look at the artist in 1920, showcasing her confident presence and the rich textures achieved through this printmaking technique.
In this self-portrait, Ottilie Wilhelmine Roederstein presents herself directly, her gaze steady and thoughtful. Rendered in drypoint, a technique that creates rich, velvety lines from burrs of metal, the artist captures a sense of immediate presence. Her hair is pulled back, emphasizing the strong planes of her face, and a hint of a high collar or garment suggests a formal yet unadorned presentation. The year this print was made, 1920, places it after the First World War, a period when Roederstein also painted portraits of women widowed by the conflict. Here, she turns her incisive gaze inward, inviting viewers to contemplate the artist herself, reflecting a moment of quiet self-assessment in her later career. The starkness of the drypoint technique lends a gravitas to the image, fitting for a seasoned artist who had long supported herself through her work.
The dense, velvety lines in her hair and coat, characteristic of drypoint.
Her direct, unsmiling gaze, meeting the viewer's eyes.
The subtle texture of the ivory laid paper, visible in the lighter areas.
This drypoint self-portrait by Ottilie Wilhelmine Roederstein offers a direct and intimate look at the artist in 1920, showcasing her confident presence and th…
Ottilie Wilhelmine Roederstein, a German-Swiss painter, defied social norms to become a celebrated portraitist, exhibiting at the 1893 World's Columbian Exposition.
Read Ottilie's full story in Art Whisper