Self-Portrait by Ottilie Wilhelmine Roederstein

Self-Portrait

Ottilie Wilhelmine Roederstein · 1920

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“This drypoint self-portrait by Ottilie Wilhelmine Roederstein offers a direct and intimate look at the artist in 1920, showcasing her confident presence and the rich textures achieved through this printmaking technique.”

ABOUT THIS WORK

In this self-portrait, Ottilie Wilhelmine Roederstein presents herself directly, her gaze steady and thoughtful. Rendered in drypoint, a technique that creates rich, velvety lines from burrs of metal, the artist captures a sense of immediate presence. Her hair is pulled back, emphasizing the strong planes of her face, and a hint of a high collar or garment suggests a formal yet unadorned presentation. The year this print was made, 1920, places it after the First World War, a period when Roederstein also painted portraits of women widowed by the conflict. Here, she turns her incisive gaze inward, inviting viewers to contemplate the artist herself, reflecting a moment of quiet self-assessment in her later career. The starkness of the drypoint technique lends a gravitas to the image, fitting for a seasoned artist who had long supported herself through her work.

DETAILS
Artist
Ottilie Wilhelmine Roederstein
Date
1920
Medium
Drypoint on ivory laid paper
Location
Art Institute of Chicago
Dimensions
Image/plate: 19.5 × 14.8 cm (7 11/16 × 5 7/8 in.); Sheet: 31.3 × 26 cm (12 3/8 × 10 1/4 in.)
Collection
Prints and Drawings
Culture
Germany
Credit line
Edna Wilhelmine Rose Fund
LOOK CLOSER

What to Notice

Four details hide in plain sight. Here’s where to look.

Self-Portrait
01

The dense, velvety lines in her hair and coat, characteristic of drypoint.

02

Her direct, unsmiling gaze, meeting the viewer's eyes.

03

The subtle texture of the ivory laid paper, visible in the lighter areas.

04

The slight tilt of her head, adding a dynamic quality to the pose.

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THE ARTIST

Ottilie Wilhelmine Roederstein

1859–1937 · Switzerland

Ottilie Wilhelmine Roederstein, a German-Swiss painter, defied social norms to become a celebrated portraitist, exhibiting at the 1893 World's Columbian Exposition.

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