“This self-portrait by Ernst Ludwig Kirchner offers a powerful glimpse into the artist's psyche, blending the raw emotion of Expressionism with the unexpected intimacy of a domestic scene. It’s a compelling example of how art can reflect personal turmoil and a search for solace.”
In this striking self-portrait, Kirchner presents himself with a cat, a common companion in his later works. The artist, known for his role in the German Expressionist movement Die Brücke, captures a sense of introspective intensity. His face, rendered with sharp angles and an almost mask-like quality, is a stark contrast to the softer, more domestic presence of the feline. The vibrant, almost clashing colors and the bold, expressive brushstrokes are characteristic of the Expressionist style, which aimed to convey emotional truth rather than objective reality. This painting was made in 1920, a period when Kirchner had relocated to Davos, Switzerland, seeking recovery after the profound psychological impact of his military service during World War I. The work reflects a move towards a more personal and introspective style, distinct from his earlier, more public "street scenes" of Berlin.
- Artist
- Ernst Ludwig Kirchner
- Date
- 1920
- Medium
- Oil on canvas
- Location
- Museum Folkwang
What to Notice
Four details hide in plain sight. Here’s where to look.

The artist’s angular, almost sculpted features and intense gaze.
The way the cat’s fur is rendered with soft, flowing brushstrokes.
The vivid, non-naturalistic colors used for the background and clothing.
The contrast between the artist's rigid posture and the cat's relaxed pose.
Stand in front of it and listen
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Ernst Ludwig Kirchner
1880–1938 · German ReichErnst Ludwig Kirchner, a founder of the revolutionary Die Brücke group, reshaped German art with his raw, emotional Expressionist vision.
Further Works by Kirchner
NUDE AT THE MIRROR
The Red Tower in Halle
1915 · Museum Folkwang
Frauenkopf vor Sonnenblumen
1906 · Museum Frieder Burda
Female Nude (Dodo)
1909 · Albertina
Wrestlers in a Circus
1909 · Cleveland Museum of Art
Blue Girl in the Sun
1910
Pfortensteg Chemnitz
1910 · Museum Frieder Burda
Burg on Fehmarn
1912 · Westphalian State Museum of Art and Cultural History
More from Die Brucke
More works to explore
Beyond Kirchner and Die Brucke: works from the same years.
Same era · 1900s–1930s
Lozenge Composition with Yellow, Black, Blue, Red, and Gray
Piet Mondrian · 1921 · Art Institute of Chicago
Same era · 1900s–1930s
Bull's Head
Mikhail Larionov · 1913 · Tretyakov Gallery
Same era · 1900s–1930s
The Lineman
Ivan Puni · 1927 · Art Institute of Chicago
Same era · 1900s–1930s
American Gothic
Okada Saburosuke · 1930 · Art Institute of Chicago
Same era · 1900s–1930s
Dada Gauguin
Max Ernst · 1920 · Art Institute of Chicago
Same era · 1900s–1930s
Schoolhouse
Paul Klee · 1920 · Art Institute of Chicago
Same era · 1900s–1930s
The Fiddler
Norman Rockwell · 1921 · Brandywine Museum of Art
Same era · 1900s–1930s
Woman before an Aquarium
Henri Matisse · 1921 · Art Institute of Chicago
Same era · 1900s–1930s
Man and Trees, Florida
John Singer Sargent · 1917 · The Metropolitan Museum of Art
Same era · 1900s–1930s
Seated Woman, Back View
Egon Schiele · 1917 · The Metropolitan Museum of Art
Same era · 1900s–1930s
The Praying Jew
Marc Chagall · 1923 · Art Institute of Chicago
Same era · 1900s–1930s
Irises
Claude Monet · 1915 · National Gallery

