“Stop and observe Saint John the Baptist in a moment of profound solitude. This etching captures his spiritual devotion and his symbolic connection to Christ through the presence of the lamb.”
In this etching, Saint John the Baptist kneels in a rocky, barren landscape, his gaze directed upwards in a moment of spiritual contemplation. A lamb, a traditional symbol of Christ, rests calmly beside him, its presence underscoring John's role as the prophet who foretold the coming of the Messiah. The starkness of the setting, with its gnarled trees and distant, undefined mountains, emphasizes John's ascetic life in the wilderness. Stefano Mulinari, an artist active in Florence, created this work through the precise lines and subtle tonal variations characteristic of etching. The delicate cross John holds, fashioned from reeds, further highlights his humility and devotion, while the overall composition draws the viewer into his solitary, devout world.
- Artist
- Stefano Mulinari
- Date
- 1766
- Medium
- Etching
- Location
- The Metropolitan Museum of Art
- Dimensions
- Sheet (Trimmed): 5 13/16 × 5 7/16 in. (14.7 × 13.8 cm)
- Collection
- Drawings and Prints
- Credit line
- The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951
What to Notice
Five details hide in plain sight. Here’s where to look.

The lamb's gentle expression and soft fleece, contrasting with the rough terrain.
Saint John's upward gaze and slightly parted lips, suggesting prayer or prophecy.
The delicate, reedy cross in John's hand, a symbol of his mission.
The gnarled, leafless trees on the right, emphasizing the wilderness setting.
1 more detail is waiting.
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Stefano Mulinari
1741–1790Italian engraver who transformed devotional scenes into intimate etchings with aquatint and colored washes.
Further Works by Mulinari
Madonna and Child with Saints Peter and Paul
1750 · The Metropolitan Museum of Art
Saint Jerome in Penitence
1750 · The Metropolitan Museum of Art
Winged Figure
1750 · The Metropolitan Museum of Art
Christ standing before an entrance to a city surrounded by apostles addressing a group of men at right
1756 · The Metropolitan Museum of Art
Descent of the Holy Ghost
1760 · The Metropolitan Museum of Art
Flagellation of Christ
1760 · The Metropolitan Museum of Art
More works to explore
Beyond Mulinari: works from the same years.
Same era · 1750s–1780s
Head of a Child
Jacques-Louis David · 1768 · The Metropolitan Museum of Art
Same era · 1750s–1780s
Portrait of Madame Anne-Jeanne Cassanéa de Mondonville, née Boucon (1708-1780)
Maurice Quentin de Latour · 1752 · Art Institute of Chicago
Same era · 1750s–1780s
Design for a Lampas Silk with a Triumphal Chariot on a Cloud
Philippe de la Salle · 1765 · The Metropolitan Museum of Art
Same era · 1750s–1780s
Portrait of a Lady
John Smart of Ipswich · 1773 · Yale Center for British Art
Same era · 1750s–1780s
Thomas Hurnard (1711/1712–1753), Mayor of Norwich (1752)
John Theodore Heins · 1754 · Norfolk Museums Collections
Same era · 1750s–1780s
Hot milk jug
Höchst Manufactory · 1770 · The Metropolitan Museum of Art
Same era · 1750s–1780s
Pair of Side Chairs
Artist Unknown - The Mercat Cross, Aberdeen · 1770 · Art Institute of Chicago
Same era · 1750s–1780s
John Jehu, L'Inghilterra
James Bretherton · 1772 · The Metropolitan Museum of Art
Same era · 1750s–1780s
Medal cabinet
William Vile · 1760 · The Metropolitan Museum of Art
Same era · 1750s–1780s
A young girl walks towards the left with one infant on her shoulder and holding another small child's hand, while two children walk at right with a torch and a basket
Luca Cambiaso · 1775 · The Metropolitan Museum of Art
Same era · 1750s–1780s
the swing
Jean-Honoré Fragonard · 1767 · Wallace Collection
Same era · 1750s–1780s
Landscape
William Wooller · 1763 · Cleveland Museum of Art
