Winged Figure by Stefano Mulinari

Winged Figure

Stefano Mulinari · 1750

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“Stop to appreciate the dramatic play of light and shadow in this etching. The innovative use of aquatint creates a striking sense of depth, making the winged figure seem to float right off the page.”

ABOUT THIS WORK

A solitary winged figure dominates this small etching, poised in mid-air against a dark, undefined background. The figure, possibly an angel or putto, is rendered with a dynamic sense of movement, its limbs outstretched and drapery swirling around it. The use of aquatint creates a soft, grainy texture that gives depth to the shadows and highlights the figure's form, making it seem to emerge from the darkness. This technique, relatively new in the mid-18th century, allowed for tonal variations akin to a wash drawing, lending the print a painterly quality. Stefano Mulinari, active in Florence, produced a number of religious and mythological etchings, and this work shares the dramatic chiaroscuro seen in his other prints of the period.

DETAILS
Artist
Stefano Mulinari
Date
1750
Medium
Etching and aquatint
Location
The Metropolitan Museum of Art
Dimensions
sheet: 5 13/16 x 3 7/16 in. (14.8 x 8.8 cm)
Collection
Drawings and Prints
Credit line
Rogers Fund, 1962
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What to Notice

Five details hide in plain sight. Pick one and we’ll show you exactly where to look.

Winged Figure

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01

Upturned face

The soft, rounded face tilts up and to the side, with pale golden hair. It gives the flying figure a calm, dreamy look.

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02

Clasped raised hands

Look at the pressed palms held above the head. The pose could suggest prayer or longing, and it pulls the whole body upward.

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03

Glowing skin

The torso and thigh are lit with smooth, pale tones that fade into shadow. This gentle modeling makes the body look round and solid.

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04

Streaming red cloth

The red drapery sweeps from the shoulder out to the right in a sharp point. It shows speed and gives the one strong color against the dark.

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05

Diagonal of the body

The body runs from the raised hands down to the pointed foot in one long diagonal. Your eye slides along it across the whole picture.

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THE ARTIST

Stefano Mulinari

1741–1790

Italian engraver who transformed devotional scenes into intimate etchings with aquatint and colored washes.

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