“Stop and observe the dramatic light and shadow in this print, capturing the awe-inspiring moment of the Holy Ghost's descent. The expressive figures and dynamic composition draw you into a scene of profound spiritual intensity.”
In this dynamic etching, a burst of divine light illuminates a gathering of apostles and the Virgin Mary, capturing the moment of the Holy Spirit's descent. The scene unfolds with dramatic intensity, as rays of light emanate from a dove at the top center, casting deep shadows and highlighting the figures below. You can almost feel the rush of wind and the sense of awe among those present, their upturned faces and gestures conveying profound spiritual experience. The composition, with its swirling drapery and expressive figures, draws the eye across the entire sheet, emphasizing the miraculous nature of the event. Stefano Mulinari, working in the late 18th century, employed etching and aquatint to create a rich tonal range, from the brilliant whites of the divine light to the deep, velvety blacks in the shadows, lending the print a powerful, almost painterly quality.
- Artist
- Stefano Mulinari
- Date
- 1760
- Medium
- Etching and aquatint
- Location
- The Metropolitan Museum of Art
- Dimensions
- Sheet (Trimmed): 11 13/16 × 18 5/8 in. (30 × 47.3 cm)
- Collection
- Drawings and Prints
- Credit line
- Harris Brisbane Dick Fund, 1953
What to Notice
Five details hide in plain sight. Here’s where to look.

The dove, radiating light, positioned centrally above the crowd.
The Virgin Mary, distinct from the apostles, looking upwards with devotion.
The varied expressions and gestures of the apostles, reacting to the divine presence.
The dramatic play of light and shadow across the figures and architecture.
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Stefano Mulinari
1741–1790Italian engraver who transformed devotional scenes into intimate etchings with aquatint and colored washes.
Further Works by Mulinari
Madonna and Child with Saints Peter and Paul
1750 · The Metropolitan Museum of Art
Saint Jerome in Penitence
1750 · The Metropolitan Museum of Art
Winged Figure
1750 · The Metropolitan Museum of Art
Christ standing before an entrance to a city surrounded by apostles addressing a group of men at right
1756 · The Metropolitan Museum of Art
Flagellation of Christ
1760 · The Metropolitan Museum of Art
Saint John the Baptist with a lamb
1766 · The Metropolitan Museum of Art
More works to explore
Beyond Mulinari: works from the same years.
Same era · 1740s–1770s
Head of a Child
Jacques-Louis David · 1768 · The Metropolitan Museum of Art
Same era · 1740s–1770s
Portrait of Madame Anne-Jeanne Cassanéa de Mondonville, née Boucon (1708-1780)
Maurice Quentin de Latour · 1752 · Art Institute of Chicago
Same era · 1740s–1770s
Design for a Lampas Silk with a Triumphal Chariot on a Cloud
Philippe de la Salle · 1765 · The Metropolitan Museum of Art
Same era · 1740s–1770s
Thomas Hurnard (1711/1712–1753), Mayor of Norwich (1752)
John Theodore Heins · 1754 · Norfolk Museums Collections
Same era · 1740s–1770s
Portrait of a Lady
John Smart of Ipswich · 1773 · Yale Center for British Art
Same era · 1740s–1770s
Medal cabinet
William Vile · 1760 · The Metropolitan Museum of Art
Same era · 1740s–1770s
Hot milk jug
Höchst Manufactory · 1770 · The Metropolitan Museum of Art
Same era · 1740s–1770s
Pair of Side Chairs
Artist Unknown - The Mercat Cross, Aberdeen · 1770 · Art Institute of Chicago
Same era · 1740s–1770s
John Jehu, L'Inghilterra
James Bretherton · 1772 · The Metropolitan Museum of Art
Same era · 1740s–1770s
A young girl walks towards the left with one infant on her shoulder and holding another small child's hand, while two children walk at right with a torch and a basket
Luca Cambiaso · 1775 · The Metropolitan Museum of Art
Same era · 1740s–1770s
Seated couple
Höchster Porzellan-Manufaktur · 1760 · The Metropolitan Museum of Art
Same era · 1740s–1770s
Landscape
William Wooller · 1763 · Cleveland Museum of Art
