“Stop to admire this meticulously crafted silver florin, a proof coin from 1843, featuring a youthful Queen Victoria. It offers a glimpse into the early years of her reign and the precision of 19th-century British minting.”
This silver florin, minted in 1843, presents a youthful Queen Victoria in profile, her hair elegantly pulled back and adorned with a small diadem. The detailed engraving captures a sense of regal composure, even on such a small scale. This particular coin, known as a proof, was struck with extra care to achieve a pristine finish, intended for collectors or as a presentation piece rather than for circulation. It reflects the early years of Victoria's long reign, a period when William Wyon, the chief engraver at the Royal Mint, was responsible for many of the era's significant coin and medal designs. The florin itself was a new denomination introduced to the British monetary system, part of a broader push towards decimalization, though that would not fully come to pass for over a century.
- Artist
- William Wyon
- Date
- 1843
- Medium
- Silver
- Location
- The Metropolitan Museum of Art
- Dimensions
- Diameter: 28 mm.
- Collection
- European Sculpture and Decorative Arts
- Culture
- British
- Credit line
- Gift of Assunta Sommella Peluso, Ada Peluso, and Romano I. Peluso, in memory of Ignazio Peluso, 2001
What to Notice
Four details hide in plain sight. Here’s where to look.

The delicate floral design in Queen Victoria's diadem.
The intricate braided detail of her hair at the back of her head.
The subtle sheen of the silver, characteristic of a proof striking.
The sharp, raised edges of the coin's design, indicating its quality.
Stand in front of it and listen
The full narration walks you through Queen Victoria proof florin — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
William Wyon
1795–1851 · British EmpireWilliam Wyon, Chief Engraver at the Royal Mint, left an indelible mark on British coinage and even the world's first adhesive postage stamp, the Penny Black.
Further Works by Wyon
George III "Incorrupta" crown
1817 · The Metropolitan Museum of Art
"Three Graces" crown
1817 · The Metropolitan Museum of Art
Study for "Flying Victory"
1825 · The Metropolitan Museum of Art
George IV crown
1826 · The Metropolitan Museum of Art
Coronation of William IV
1831 · The Metropolitan Museum of Art
William IV proof crown
1831 · The Metropolitan Museum of Art
Queen Victoria's Visit to the Corporation of London
1837 · The Metropolitan Museum of Art
Victoria proof sovereign
1837 · The Metropolitan Museum of Art
More works to explore
Beyond Wyon: works from the same years.
Same era · 1820s–1850s
The Cottage by the Roadside, Stormy Sky
Léon-Victor Dupré · 1855 · Art Institute of Chicago
Same era · 1820s–1850s
Snow Storm: Steam-Boat off a Harbour's Mouth
J. M. W. Turner · 1842 · National Gallery
Same era · 1820s–1850s
Young Woman
Jean-François Millet · 1844 · Art Institute of Chicago
Same era · 1820s–1850s
The Virgin Adoring the Host
Jean-Auguste-Dominique Ingres · 1841 · Pushkin Museum of Fine Arts
Same era · 1820s–1850s
Hamlet and Horatio in the Graveyard
Eugène Delacroix · 1839 · Department of Paintings of the Louvre
Same era · 1820s–1850s
Wooded Landscape
Gustave Courbet · 1848 · Art Institute of Chicago
Same era · 1820s–1850s
Mount Chocorua and Moat Mountain from North Conway
William Hart · 1850
Same era · 1820s–1850s
Olive Trees
Vincent van Gogh · 1853 · The Metropolitan Museum of Art
Same era · 1820s–1850s
Designs for a Decorated Dish, or Platter, and a Biscuit Barrel
Alfred Henry Forrester [Alfred Crowquill] · 1845 · The Metropolitan Museum of Art
Same era · 1820s–1850s
Woman in a Blue Dress
School of William Matthew Prior · 1840 · Art Institute of Chicago
Same era · 1820s–1850s
Mr. James Mackie
Samuel Alcock & Company · 1830 · Art Institute of Chicago
Same era · 1820s–1850s
Dmitriy Petrovich Voeykov
Vasily Andreevich Tropinin · 1842 · Tretyakov Gallery
