Portrait of Madame Charles-Pierre Pecoul by Jacques-Louis David

Portrait of Madame Charles-Pierre Pecoul

Jacques-Louis David · 1784

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“Stop to appreciate this portrait of Geneviève Jacqueline Pecoul, a remarkable example of Neoclassical elegance. Its stark simplicity and direct gaze mark a clear departure from earlier, more ornate styles, inviting a moment of quiet connection with the sitter.”

ABOUT THIS WORK

Geneviève Jacqueline Pecoul, caught in a moment of quiet contemplation, gazes out from the canvas with an air of refined composure. Her simple white coif and dress, rendered with a striking clarity, contrast with the dark, almost austere background. This portrait, created in 1784, captures a shift in artistic taste, moving away from the elaborate flourishes of Rococo towards a more restrained, classical sensibility. The artist, Jacques-Louis David, was M. Pecoul's son-in-law, marrying his daughter, Geneviève, after returning to Paris from his studies in Rome. The painting's precise lines and almost sculptural quality give Geneviève a timeless presence, emphasizing her character over fleeting fashion. It's a testament to the emerging Neoclassical style, prioritizing form and moral gravity.

DETAILS
Artist
Jacques-Louis David
Date
1784
Medium
Oil on canvas
Location
Department of Paintings of the Louvre
ART MOVEMENTS
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What to Notice

Five details hide in plain sight. Here’s where to look.

Portrait of Madame Charles-Pierre Pecoul
01

The delicate lace trim on her coif and the subtle pleats of her dress.

02

Her direct, unwavering gaze, conveying a sense of quiet strength.

03

The way her hands are gently clasped, suggesting a moment of pause.

04

The plain, dark background, which pushes her forward into the viewer's space.

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THE ARTIST

Jacques-Louis David

1748–1825 · France

David survived revolution, prison, and exile to paint Napoleon's glory — and still died the most influential artist in France.

Read David’s full story
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Beyond David and Academic art: works from the same years, and from the other movements Portrait of Madame Charles-Pierre Pecoul belongs to.

Amédée-David, the Comte de Pastoret Same movement · Neoclassicism Amédée-David, the Comte de Pastoret Jean-Auguste-Dominique Ingres · 1823 · Art Institute of Chicago A Limekiln, Possibly at Briton Ferry in South Wales Same era · 1760s–1790s A Limekiln, Possibly at Briton Ferry in South Wales J. M. W. Turner · 1797 · Yale Center for British Art Louis-Philippe-Joseph, Duke of Orleans 'Philippe Egalité' (1747-1793) (after Sir Joshua Reynolds) Same era · 1760s–1790s Louis-Philippe-Joseph, Duke of Orleans 'Philippe Egalité' (1747-1793) (after Sir Joshua Reynolds) Samuel Drummond · 1785 · National Trust Portrait of a Man Same era · 1760s–1790s Portrait of a Man Benjamin West · 1790 · Art Institute of Chicago Milton Dictating to His Daughter Same era · 1760s–1790s Milton Dictating to His Daughter Henry Fuseli · 1794 · Art Institute of Chicago Portrait of a Lady Same era · 1760s–1790s Portrait of a Lady John Smart of Ipswich · 1773 · Yale Center for British Art Self-Portrait Same era · 1760s–1790s Self-Portrait Francisco Goya · 1783 · Musée des Beaux-Arts d'Agen Sappho embracing Love Same era · 1760s–1790s Sappho embracing Love John Mannin · 1786 · The Metropolitan Museum of Art
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