“Stop and admire this exquisite miniature, a personal portrait from 1781. The artist masterfully uses watercolor on ivory, creating a luminous glow in the sitter's skin and capturing a remarkably intimate presence.”
This miniature portrait, painted in 1781, captures a lady with an engaging gaze, her face framed by soft curls and a delicate lace cap. The artist, John Smart of Ipswich, was known for these intimate works, and here he uses watercolor on ivory to achieve a luminous quality, particularly in the sitter's skin. The translucent quality of the ivory itself contributes to the delicate glow of her complexion. Her simple, yet elegant, attire reflects the fashion of the late 18th century, emphasizing refinement over ostentation. This piece offers a window into the personal art of the era, where such small portraits served as cherished mementos, often exchanged between loved ones or carried as keepsakes.
- Artist
- John Smart of Ipswich
- Date
- 1781
- Medium
- Watercolor, Ivory
- Location
- National Museum of Ancient Art
What to Notice
Five details hide in plain sight. Here’s where to look.

The delicate lace cap and its intricate pattern.
The subtle blush on her cheeks, achieved with watercolor.
The way her gaze seems to follow you.
The fine strands of hair escaping her cap.
1 more detail is waiting.
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John Smart of Ipswich
1756–1813British miniaturist whose delicate portraits captured Georgian society with jewel-like precision
Further Works by Ipswich
Portrait of a Lady
1773 · Yale Center for British Art
Captain William Ivory
1780 · Colchester and Ipswich Museums Service
Elizabeth Ivory (née Fonnereau)
1780 · Colchester and Ipswich Museums Service
Mrs John Smart I
1785 · Dulwich Picture Gallery
Miss Planner
1820 · Dulwich Picture Gallery
Portrait of a Lady
1782 · Cincinnati Art Museum
Self-portrait
Nationalmuseum
Self Portrait
1787 · Dulwich Picture Gallery
More works to explore
Beyond Ipswich: works from the same years.
Same era · 1760s–1790s
Andromache Mourning Hector
Jacques-Louis David · 1783 · Pushkin Museum of Fine Arts
Same era · 1760s–1790s
Louis-Philippe-Joseph, Duke of Orleans 'Philippe Egalité' (1747-1793) (after Sir Joshua Reynolds)
Samuel Drummond · 1785 · National Trust
Same era · 1760s–1790s
Portrait of a Man
Benjamin West · 1790 · Art Institute of Chicago
Same era · 1760s–1790s
Milton Dictating to His Daughter
Henry Fuseli · 1794 · Art Institute of Chicago
Same era · 1760s–1790s
Self-Portrait
Francisco Goya · 1783 · Musée des Beaux-Arts d'Agen
Same era · 1760s–1790s
The Right Honorable Henry Fox, Lord Holland
William Hogarth · 1782 · The Metropolitan Museum of Art
Same era · 1760s–1790s
Sappho embracing Love
John Mannin · 1786 · The Metropolitan Museum of Art
Same era · 1760s–1790s
A young girl walks towards the left with one infant on her shoulder and holding another small child's hand, while two children walk at right with a torch and a basket
Luca Cambiaso · 1775 · The Metropolitan Museum of Art
Same era · 1760s–1790s
Punch Bowl
Artist Unknown - The Mercat Cross, Aberdeen · 1789 · Art Institute of Chicago
Same era · 1760s–1790s
John Jehu, L'Inghilterra
James Bretherton · 1772 · The Metropolitan Museum of Art
Same era · 1760s–1790s
Looking Glass
unknown composer author · 1790 · Art Institute of Chicago
Same era · 1760s–1790s
Hot milk jug
Höchst Manufactory · 1770 · The Metropolitan Museum of Art
