“This portrait, 'Miss Planner,' attributed to John Smart of Ipswich, offers a glimpse into the refined world of early 19th-century portraiture, showcasing a delicate hand and an emphasis on capturing the sitter's gentle character.”
This charming portrait, 'Miss Planner,' is attributed to John Smart of Ipswich, an artist known for his miniature portraits. However, the listed year of 1820 for this work presents an interesting historical puzzle, as Smart's documented life ended in 1813. This suggests the attribution or the date might be subject to further scholarly review, or perhaps it refers to a later artist in the Smart family line. John Smart I, the most prominent of the family, was celebrated for his delicate touch and ability to capture the sitter's character in small-scale works, often executed in watercolor on ivory. His portraits were highly sought after by the British aristocracy and gentry, offering an intimate and portable form of commemoration. While we can't definitively place 'Miss Planner' within John Smart I's lifetime, the work likely reflects the enduring style and aesthetic values of the period, emphasizing refined features and a serene demeanor. It invites us to consider the enduring legacy of artistic families and the complexities of historical attribution.
- Artist
- John Smart of Ipswich
- Date
- 1820
- Medium
- Oil on canvas
- Location
- Dulwich Picture Gallery
What to Notice
Four details hide in plain sight. Here’s where to look.

The delicate rendering of Miss Planner's features
The subtle play of light on her hair and skin
The details of her period attire
Her serene and composed expression
Stand in front of it and listen
The full narration walks you through Miss Planner — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
John Smart of Ipswich
1756–1813British miniaturist whose delicate portraits captured Georgian society with jewel-like precision
Further Works by Ipswich
Portrait of a Lady
1773 · Yale Center for British Art
Mrs John Smart I
1785 · Dulwich Picture Gallery
Captain William Ivory
1780 · Colchester and Ipswich Museums Service
Elizabeth Ivory (née Fonnereau)
1780 · Colchester and Ipswich Museums Service
Portrait of a Lady
1781 · National Museum of Ancient Art
Portrait of a Lady
1782 · Cincinnati Art Museum
Self-portrait
Nationalmuseum
Self Portrait
1787 · Dulwich Picture Gallery
More works to explore
Beyond Ipswich: works from the same years.
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Amédée-David, the Comte de Pastoret
Jean-Auguste-Dominique Ingres · 1823 · Art Institute of Chicago
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Conflagration of the Masonic Hall, Chestnut Street, Philadelphia, Pennsylvania
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Sketchbook: Souvenir of Naples
Artist Unknown - The Mercat Cross, Aberdeen · 1821 · The Metropolitan Museum of Art
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The Captive Slave (Ira Aldridge)
John Philip Simpson · 1827 · Art Institute of Chicago
Same era · 1800s–1830s
Mr. James Mackie
Samuel Alcock & Company · 1830 · Art Institute of Chicago
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Portrait of an Ukrainian peasant.
Vasily Andreevich Tropinin · 1820 · National Museum in Warsaw
