“This elegant 1780 portrait of Elizabeth Ivory offers a captivating glimpse into 18th-century fashion and social grace, inviting you to connect with a woman from a bygone era through her serene gaze and refined attire.”
Elizabeth Ivory (née Fonnereau) gazes directly out at us, her expression serene and composed. Painted in 1780, this oil on canvas portrait captures her in a moment of quiet dignity, characteristic of late 18th-century portraiture. Her elegant attire, with its soft ruffles and delicate lace, speaks to the fashion and social standing of the era. The artist, John Smart of Ipswich, renders her features with a gentle touch, emphasizing her luminous skin and the subtle blush in her cheeks. The painting offers a window into the refined world of a woman of means, inviting us to consider the lives of individuals like Elizabeth during this period. The use of oil paint allows for a rich depth of color and texture, particularly evident in the intricate details of her clothing.
- Artist
- John Smart of Ipswich
- Date
- 1780
- Medium
- Oil on canvas
- Location
- Colchester and Ipswich Museums Service
What to Notice
Five details hide in plain sight. Here’s where to look.

Her elaborate powdered hairstyle, framing her face.
The delicate lace trim on her white chemise.
The soft, rosy hue of her cheeks and lips.
The subtle sheen on the pearls woven into her hair.
1 more detail is waiting.
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John Smart of Ipswich
1756–1813British miniaturist whose delicate portraits captured Georgian society with jewel-like precision
Further Works by Ipswich
Portrait of a Lady
1773 · Yale Center for British Art
Captain William Ivory
1780 · Colchester and Ipswich Museums Service
Mrs John Smart I
1785 · Dulwich Picture Gallery
Miss Planner
1820 · Dulwich Picture Gallery
Portrait of a Lady
1781 · National Museum of Ancient Art
Portrait of a Lady
1782 · Cincinnati Art Museum
Self-portrait
Nationalmuseum
Self Portrait
1787 · Dulwich Picture Gallery
More works to explore
Beyond Ipswich: works from the same years.
Same era · 1760s–1790s
Andromache Mourning Hector
Jacques-Louis David · 1783 · Pushkin Museum of Fine Arts
Same era · 1760s–1790s
Louis-Philippe-Joseph, Duke of Orleans 'Philippe Egalité' (1747-1793) (after Sir Joshua Reynolds)
Samuel Drummond · 1785 · National Trust
Same era · 1760s–1790s
Portrait of a Man
Benjamin West · 1790 · Art Institute of Chicago
Same era · 1760s–1790s
Milton Dictating to His Daughter
Henry Fuseli · 1794 · Art Institute of Chicago
Same era · 1760s–1790s
Design for a Lampas Silk with a Triumphal Chariot on a Cloud
Philippe de la Salle · 1765 · The Metropolitan Museum of Art
Same era · 1760s–1790s
Self-Portrait
Francisco Goya · 1783 · Musée des Beaux-Arts d'Agen
Same era · 1760s–1790s
The Right Honorable Henry Fox, Lord Holland
William Hogarth · 1782 · The Metropolitan Museum of Art
Same era · 1760s–1790s
A young girl walks towards the left with one infant on her shoulder and holding another small child's hand, while two children walk at right with a torch and a basket
Luca Cambiaso · 1775 · The Metropolitan Museum of Art
Same era · 1760s–1790s
Sappho embracing Love
John Mannin · 1786 · The Metropolitan Museum of Art
Same era · 1760s–1790s
John Jehu, L'Inghilterra
James Bretherton · 1772 · The Metropolitan Museum of Art
Same era · 1760s–1790s
Punch Bowl
Artist Unknown - The Mercat Cross, Aberdeen · 1789 · Art Institute of Chicago
Same era · 1760s–1790s
Hot milk jug
Höchst Manufactory · 1770 · The Metropolitan Museum of Art
