“Pause to appreciate the exquisite detail of this miniature portrait, painted on ivory. It offers a glimpse into 18th-century fashion and the personal connection people sought through art, much like a cherished photograph today.”
This miniature portrait, painted in 1782, captures a lady with a calm, direct gaze, her features rendered with exquisite delicacy. The artist, John Smart of Ipswich, was a specialist in these small-scale works, which were popular keepsakes and tokens of affection in the 18th century. Here, the woman's powdered hair is piled high, a fashionable style of the period, adorned with a white ribbon. Her dress, a soft blue, suggests a refined elegance, while the subtle blush on her cheeks and the hint of a smile bring her to life. The use of watercolor on ivory allowed for a luminous quality, making the skin tones appear particularly lifelike. This intimate scale invited close inspection, creating a personal connection between the viewer and the sitter, much like a photograph today.
- Artist
- John Smart of Ipswich
- Date
- 1782
- Medium
- Watercolor, Ivory
- Location
- Cincinnati Art Museum
What to Notice
Five details hide in plain sight. Here’s where to look.

The delicate brushwork defining individual strands of hair.
The subtle translucence of the ivory beneath the watercolor.
The intricate lace detail on the front of her dress.
The slight catchlight in her eyes, giving them depth.
1 more detail is waiting.
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John Smart of Ipswich
1756–1813British miniaturist whose delicate portraits captured Georgian society with jewel-like precision
Further Works by Ipswich
Portrait of a Lady
1773 · Yale Center for British Art
Captain William Ivory
1780 · Colchester and Ipswich Museums Service
Elizabeth Ivory (née Fonnereau)
1780 · Colchester and Ipswich Museums Service
Mrs John Smart I
1785 · Dulwich Picture Gallery
Miss Planner
1820 · Dulwich Picture Gallery
Portrait of a Lady
1781 · National Museum of Ancient Art
Self-portrait
Nationalmuseum
Self Portrait
1787 · Dulwich Picture Gallery
More works to explore
Beyond Ipswich: works from the same years.
Same era · 1760s–1790s
Andromache Mourning Hector
Jacques-Louis David · 1783 · Pushkin Museum of Fine Arts
Same era · 1760s–1790s
A Limekiln, Possibly at Briton Ferry in South Wales
J. M. W. Turner · 1797 · Yale Center for British Art
Same era · 1760s–1790s
Louis-Philippe-Joseph, Duke of Orleans 'Philippe Egalité' (1747-1793) (after Sir Joshua Reynolds)
Samuel Drummond · 1785 · National Trust
Same era · 1760s–1790s
Portrait of a Man
Benjamin West · 1790 · Art Institute of Chicago
Same era · 1760s–1790s
Milton Dictating to His Daughter
Henry Fuseli · 1794 · Art Institute of Chicago
Same era · 1760s–1790s
Self-Portrait
Francisco Goya · 1783 · Musée des Beaux-Arts d'Agen
Same era · 1760s–1790s
The Right Honorable Henry Fox, Lord Holland
William Hogarth · 1782 · The Metropolitan Museum of Art
Same era · 1760s–1790s
Sappho embracing Love
John Mannin · 1786 · The Metropolitan Museum of Art
Same era · 1760s–1790s
A young girl walks towards the left with one infant on her shoulder and holding another small child's hand, while two children walk at right with a torch and a basket
Luca Cambiaso · 1775 · The Metropolitan Museum of Art
Same era · 1760s–1790s
Punch Bowl
Artist Unknown - The Mercat Cross, Aberdeen · 1789 · Art Institute of Chicago
Same era · 1760s–1790s
Looking Glass
unknown composer author · 1790 · Art Institute of Chicago
Same era · 1760s–1790s
John Jehu, L'Inghilterra
James Bretherton · 1772 · The Metropolitan Museum of Art
