“Stop and look at this self-portrait, a rare opportunity to see the face of a painter celebrated for his miniature portraits, captured with striking intimacy and a direct, thoughtful gaze.”
In this self-portrait from 1787, John Smart of Ipswich presents himself with a direct gaze, his face illuminated from the side, casting soft shadows that define his features. He appears to be in his early thirties here, an age when many artists are establishing their careers. The painting captures a moment of quiet intensity, with the artist’s simple attire and the plain background drawing all attention to his thoughtful expression. This work offers a rare glimpse into the appearance of a painter whose miniature portraits were highly sought after, often depicting the wealthy and influential figures of his time. Here, however, he turns his discerning eye upon himself, creating a personal record rather than a commissioned likeness. The subdued palette and focused lighting emphasize the introspective nature of the piece, inviting viewers to connect with the artist on a more intimate level.
- Artist
- John Smart of Ipswich
- Date
- 1787
- Location
- Dulwich Picture Gallery
What to Notice
Four details hide in plain sight. Here’s where to look.

The subtle highlight on his forehead, suggesting a light source from the upper left.
His direct, steady gaze that seems to meet your eyes.
The way his dark coat blends into the background, emphasizing his face.
The delicate brushwork in his powdered wig, showing individual strands.
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John Smart of Ipswich
1756–1813British miniaturist whose delicate portraits captured Georgian society with jewel-like precision
Further Works by Ipswich
Portrait of a Lady
1773 · Yale Center for British Art
Mrs John Smart I
1785 · Dulwich Picture Gallery
Miss Planner
1820 · Dulwich Picture Gallery
Captain William Ivory
1780 · Colchester and Ipswich Museums Service
Elizabeth Ivory (née Fonnereau)
1780 · Colchester and Ipswich Museums Service
Portrait of a Lady
1781 · National Museum of Ancient Art
Portrait of a Lady
1782 · Cincinnati Art Museum
Self-portrait
Nationalmuseum
More works to explore
Beyond Ipswich: works from the same years.
Same era · 1770s–1800s
Andromache Mourning Hector
Jacques-Louis David · 1783 · Pushkin Museum of Fine Arts
Same era · 1770s–1800s
A Limekiln, Possibly at Briton Ferry in South Wales
J. M. W. Turner · 1797 · Yale Center for British Art
Same era · 1770s–1800s
The Monk by the Sea
Caspar David Friedrich · 1800 · Alte Nationalgalerie
Same era · 1770s–1800s
Louis-Philippe-Joseph, Duke of Orleans 'Philippe Egalité' (1747-1793) (after Sir Joshua Reynolds)
Samuel Drummond · 1785 · National Trust
Same era · 1770s–1800s
Portrait of a Man
Benjamin West · 1790 · Art Institute of Chicago
Same era · 1770s–1800s
Milton Dictating to His Daughter
Henry Fuseli · 1794 · Art Institute of Chicago
Same era · 1770s–1800s
Mrs Jackson
Thomas Stewardson · 1800 · Abbot Hall Art Gallery
Same era · 1770s–1800s
Self-Portrait
Francisco Goya · 1783 · Musée des Beaux-Arts d'Agen
Same era · 1770s–1800s
Sappho embracing Love
John Mannin · 1786 · The Metropolitan Museum of Art
Same era · 1770s–1800s
Punch Bowl
Artist Unknown - The Mercat Cross, Aberdeen · 1789 · Art Institute of Chicago
Same era · 1770s–1800s
Looking Glass
unknown composer author · 1790 · Art Institute of Chicago
Same era · 1770s–1800s
The Right Honorable Henry Fox, Lord Holland
William Hogarth · 1782 · The Metropolitan Museum of Art
