“This isn't a typical Benjamin West painting. Instead, it's a beautifully crafted fan, a rare and intimate object that reveals his skill in miniature, blending classical themes with luxurious materials for personal adornment.”
A delicate scene unfolds across this fan, a miniature world painted onto paper, framed by intricately carved ivory. The central image depicts a woman, perhaps a goddess, seated on a cloud amidst swirling drapery, her gaze directed towards a cherubic figure. This intimate object, designed for personal use, showcases a skill for detailed narrative painting on a scale far removed from the large canvases Benjamin West typically created. The use of gold leaf adds a subtle shimmer, catching the light as the fan would have been gently waved. This work, made in 1775, offers a glimpse into the refined tastes of the late 18th century, where even functional accessories could be elevated to works of art, blending classical motifs with rococo elegance. It’s a testament to the versatility required of artists in an era when commissions varied widely.
- Artist
- Benjamin West
- Date
- 1775
- Medium
- Ivory guards and sticks, carved; paper mount, painted; gold leaf; metal pin with mother-of-pearl
- Location
- Art Institute of Chicago
- Dimensions
- 28.8 × 50.4 cm (11 1/4 × 19 11/16 in.)
- Collection
- Textiles
- Culture
- England
- Credit line
- Gift of the Antiquarian Society
What to Notice
Five details hide in plain sight. Here’s where to look.

The tiny, delicate brushstrokes defining the cloud formations.
The way gold leaf highlights the drapery and figures.
The intricate carving on the ivory guards and sticks.
The subtle blush on the woman's cheeks and the cherub's skin.
1 more detail is waiting.
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Benjamin West
Benjamin West, the American-born 'American Raphael,' became a celebrated history painter in London, even serving as historical painter to King George III.
Further Works by West
More works to explore
Beyond West: works from the same years.
Same era · 1760s–1790s
Andromache Mourning Hector
Jacques-Louis David · 1783 · Pushkin Museum of Fine Arts
Same era · 1760s–1790s
Portrait of a Lady
John Smart of Ipswich · 1773 · Yale Center for British Art
Same era · 1760s–1790s
Design for a Lampas Silk with a Triumphal Chariot on a Cloud
Philippe de la Salle · 1765 · The Metropolitan Museum of Art
Same era · 1760s–1790s
Louis-Philippe-Joseph, Duke of Orleans 'Philippe Egalité' (1747-1793) (after Sir Joshua Reynolds)
Samuel Drummond · 1785 · National Trust
Same era · 1760s–1790s
Self-Portrait
Francisco Goya · 1783 · Musée des Beaux-Arts d'Agen
Same era · 1760s–1790s
A young girl walks towards the left with one infant on her shoulder and holding another small child's hand, while two children walk at right with a torch and a basket
Luca Cambiaso · 1775 · The Metropolitan Museum of Art
Same era · 1760s–1790s
John Jehu, L'Inghilterra
James Bretherton · 1772 · The Metropolitan Museum of Art
Same era · 1760s–1790s
Hot milk jug
Höchst Manufactory · 1770 · The Metropolitan Museum of Art
Same era · 1760s–1790s
Pair of Side Chairs
Artist Unknown - The Mercat Cross, Aberdeen · 1770 · Art Institute of Chicago
Same era · 1760s–1790s
The Right Honorable Henry Fox, Lord Holland
William Hogarth · 1782 · The Metropolitan Museum of Art
Same era · 1760s–1790s
Sappho embracing Love
John Mannin · 1786 · The Metropolitan Museum of Art
Same era · 1760s–1790s
Looking Glass
unknown composer author · 1790 · Art Institute of Chicago

