“Stop to appreciate this powerful graphite drawing by Gustav Klimt. It captures the human form with a raw intimacy and masterful draftsmanship, characteristic of his Symbolist and Art Nouveau explorations.”
A figure reclines here, caught in a moment of intimate repose. The graphite lines, at times delicate and at others more assertive, define the woman's form with a striking directness. Her body, rendered with a frank eroticism, is partly draped, yet the fabric only emphasizes her nakedness. The artist, working in 1907, was a leading figure in the Vienna Secession movement, which embraced the Art Nouveau style and pushed against academic traditions. This drawing exemplifies that spirit, focusing intensely on the human form and its emotional resonance, a central theme in Symbolist art. The simplicity of the medium allows for an unadorned exploration of contour and volume, inviting a close look at every curve and shadow.
- Artist
- Gustav Klimt
- Date
- 1907
- Medium
- Graphite
- Location
- The Metropolitan Museum of Art
- Dimensions
- Sheet: 14 1/2 in. × 22 in. (36.8 × 55.9 cm)
- Collection
- Drawings and Prints
- Credit line
- Bequest of Scofield Thayer, 1982
What to Notice
Five details hide in plain sight. Here’s where to look.

Observe the delicate shading that suggests the softness of her skin.
Notice how the drapery is rendered with a few swift, confident lines.
Look at the subtle tension in her left hand, resting on her hip.
See the way her head is tilted back, implying a sense of abandon or contemplation.
1 more detail is waiting.
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Gustav Klimt
1862–1918 · Austrian EmpireVienna Secession founder whose golden, erotic masterpieces merged Symbolism with Japanese-inspired Art Nouveau.
Further Works by Klimt
Reclining Nude with Outstretched Left Arm
1903 · The Metropolitan Museum of Art
Two Studies for a Crouching Woman
1914 · The Metropolitan Museum of Art
Reclining Nude with Drapery, Back View
1917 · The Metropolitan Museum of Art
Portrait of a Lady in a High Hat
1882 · Art Institute of Chicago
The Kiss
1907 · Belvedere
More from Symbolism
More works to explore
Beyond Klimt and Symbolism: works from the same years, and from the other movements Reclining Nude with Drapery belongs to.
Same movement · Vienna Secession
Maude Adams (1872–1953) as Joan of Arc
Alphonse Mucha · 1909 · The Metropolitan Museum of Art
Same era · 1890s–1920s
Barber
Mikhail Larionov · 1907 · Russian Museum
Same movement · Jugendstil
Crouching Nude in Shoes and Black Stockings, Back View
Egon Schiele · 1912 · The Metropolitan Museum of Art
Same era · 1890s–1920s
Frauenkopf vor Sonnenblumen
Ernst Ludwig Kirchner · 1906 · Museum Frieder Burda
Same era · 1890s–1920s
Consolation
Edvard Munch · 1907 · Munch Museum
Same era · 1890s–1920s
Landscape at L'Estaque
Georges Braque · 1906 · Art Institute of Chicago
Same era · 1890s–1920s
Olive Trees at Collioure
Henri Matisse · 1906 · The Metropolitan Museum of Art
Same era · 1890s–1920s
Self-Portrait
Pablo Picasso · 1906 · The Metropolitan Museum of Art
Same era · 1890s–1920s
Mont Sainte-Victoire
Paul Cézanne · 1904 · Detroit Institute of Arts
Same era · 1890s–1920s
Birth
Marc Chagall · 1911 · Art Institute of Chicago
Same era · 1890s–1920s
Composition with Figures and a Horse
Paul Gauguin · 1902 · Nationalmuseum
Same era · 1890s–1920s
Charing Cross Bridge, London
Claude Monet · 1901 · Art Institute of Chicago
Same era · 1890s–1920s
Sirmione
John Singer Sargent · 1913 · The Metropolitan Museum of Art
Same era · 1890s–1920s
Street Cart
Egon Schiele · 1914 · The Metropolitan Museum of Art




