“Stop to see this iconic painting, a dazzling fusion of gold and pattern that captures an intimate embrace, blurring the lines between lovers and their decorative world.”
A man and a woman embrace, enveloped in a shimmering, golden world. This painting, created around 1907, captures a moment of intense connection, almost merging the two figures into one. The man, with his head bowed, presses a kiss to the woman's cheek, while she kneels, her eyes closed in a gesture of profound tenderness. Their bodies are obscured by an intricate tapestry of patterns: the man's robe is a mosaic of strong, rectangular forms, while the woman's dress bursts with swirling circles and floral motifs. This contrast in pattern highlights their individual identities even as they become entwined. The work exemplifies the Art Nouveau style, with its organic lines and decorative emphasis, while also leaning into Symbolism through its rich, evocative imagery and the sense of a transcendent moment. The lavish use of gold leaf elevates the scene, making it feel both sacred and intensely intimate, a timeless symbol of love.
- Artist
- Gustav Klimt
- Date
- 1907
- Location
- Belvedere
What to Notice
Five details hide in plain sight. Here’s where to look.

The contrasting geometric and organic patterns on their robes
The woman's closed eyes, suggesting deep emotion
The man's hand cradling the woman's face
The golden halo effect around the embracing couple
1 more detail is waiting.
See all 5 in Art Whisper →Stand in front of it and listen
The full narration walks you through The Kiss — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Gustav Klimt
1862–1918 · Austrian EmpireVienna Secession founder whose golden, erotic masterpieces merged Symbolism with Japanese-inspired Art Nouveau.
Further Works by Klimt
Portrait of a Lady in a High Hat
1882 · Art Institute of Chicago
Reclining Nude with Outstretched Left Arm
1903 · The Metropolitan Museum of Art
Reclining Nude with Drapery
1907 · The Metropolitan Museum of Art
Two Studies for a Crouching Woman
1914 · The Metropolitan Museum of Art
Reclining Nude with Drapery, Back View
1917 · The Metropolitan Museum of Art
More from Symbolism
More works to explore
Beyond Klimt and Symbolism: works from the same years, and from the other movements The Kiss belongs to.
Same movement · Vienna Secession
Maude Adams (1872–1953) as Joan of Arc
Alphonse Mucha · 1909 · The Metropolitan Museum of Art
Same era · 1890s–1920s
Barber
Mikhail Larionov · 1907 · Russian Museum
Same movement · Jugendstil
Crouching Nude in Shoes and Black Stockings, Back View
Egon Schiele · 1912 · The Metropolitan Museum of Art
Same era · 1890s–1920s
Frauenkopf vor Sonnenblumen
Ernst Ludwig Kirchner · 1906 · Museum Frieder Burda
Same era · 1890s–1920s
Consolation
Edvard Munch · 1907 · Munch Museum
Same era · 1890s–1920s
Landscape at L'Estaque
Georges Braque · 1906 · Art Institute of Chicago
Same era · 1890s–1920s
Olive Trees at Collioure
Henri Matisse · 1906 · The Metropolitan Museum of Art
Same era · 1890s–1920s
Self-Portrait
Pablo Picasso · 1906 · The Metropolitan Museum of Art
Same era · 1890s–1920s
Mont Sainte-Victoire
Paul Cézanne · 1904 · Detroit Institute of Arts
Same era · 1890s–1920s
Birth
Marc Chagall · 1911 · Art Institute of Chicago
Same era · 1890s–1920s
Composition with Figures and a Horse
Paul Gauguin · 1902 · Nationalmuseum
Same era · 1890s–1920s
Charing Cross Bridge, London
Claude Monet · 1901 · Art Institute of Chicago
Same era · 1890s–1920s
Sirmione
John Singer Sargent · 1913 · The Metropolitan Museum of Art
Same era · 1890s–1920s
Street Cart
Egon Schiele · 1914 · The Metropolitan Museum of Art




