“Stop to consider this striking portrait of an Indian Army officer from 1822. It offers a rare glimpse into the individuals who served during British colonial rule, captured with a dignified and direct gaze.”
This portrait captures an Indian Army officer in 1822, a period when British influence was expanding across the subcontinent. The officer, depicted with a direct gaze, is shown in formal attire, suggesting his status and the importance of his role within the colonial military structure. The painting's rich colors and attention to detail, especially in the uniform and facial features, draw the viewer into a moment of quiet dignity. The artist, William Havell, spent eight years in India (1817-1825) painting portraits and landscapes, which provided him with firsthand experience of his subjects and the local environment. This work reflects that period, offering a glimpse into the lives of individuals navigating the complexities of colonial India.
- Artist
- William Havell
- Date
- 1822
- Medium
- Oil on canvas
- Location
- Reading Museum
What to Notice
Four details hide in plain sight. Here’s where to look.

The intricate gold embroidery on the officer's dark blue uniform.
The subtle shading on his face, highlighting his serious expression.
The polished brass buttons and epaulets that catch the light.
The dark, ambiguous background that keeps focus on the figure.
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William Havell
1782–1857 · Kingdom of Great BritainWilliam Havell, a founding member of the Society of Painters in Watercolours, captured the dramatic landscapes of Wales and the Lake District before embarking on a global journey.
Further Works by Havell
Temple of Paestum, Italy
1830 · Reading Museum
Tivoli, Italy
1830 · Reading Museum
Figures at an Arcadian Fountain (Fountain of Egeria)
1840 · Reading Museum
Landscape with Peasants and Cattle
Reading Museum
Cilgerran Castle
1805 · National Museum Cardiff
Yachts of the Cumberland Society Racing on the Thames, circa 1815
1815 · Royal Museums Greenwich
Woodcutters at Park Place, Henley, the River Thames Beyond
1821 · The Metropolitan Museum of Art
Lieutenant Colonel William Lambton (1756–1823)
1822 · Royal Asiatic Society of Great Britain and Ireland
More works to explore
Beyond Havell: works from the same years.
Same era · 1800s–1830s
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Same era · 1800s–1830s
Amédée-David, the Comte de Pastoret
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Same era · 1800s–1830s
The Bay of Baiae, with Apollo and the Sibyl
J. M. W. Turner · 1823 · National Gallery
Same era · 1800s–1830s
Saturn Devouring His Son
Francisco Goya · 1820 · Museo del Prado
Same era · 1800s–1830s
The Fortune Teller (La Bonne Aventure)
Jacques-Louis David · 1824 · Fine Arts Museums of San Francisco
Same era · 1800s–1830s
Male Academy Figure: Half-Length, Side View
Eugène Delacroix · 1819 · Karen B. Cohen Collection
Same era · 1800s–1830s
Two Men Contemplating the Moon
Caspar David Friedrich · 1819 · Staatliche Kunstsammlungen Dresden
Same era · 1800s–1830s
The Five Points
Artist Unknown - The Mercat Cross, Aberdeen · 1822 · The Metropolitan Museum of Art
Same era · 1800s–1830s
Conflagration of the Masonic Hall, Chestnut Street, Philadelphia, Pennsylvania
Samuel Jones · 1819 · Art Institute of Chicago
Same era · 1800s–1830s
The Captive Slave (Ira Aldridge)
John Philip Simpson · 1827 · Art Institute of Chicago
Same era · 1800s–1830s
Mr. James Mackie
Samuel Alcock & Company · 1830 · Art Institute of Chicago
Same era · 1800s–1830s
Ekim Lazarev
Vasily Andreevich Tropinin · 1822 · National Gallery of Armenia
