“This striking work by Jasper Johns takes the familiar alphabet and transforms it into a vibrant, textured puzzle. It challenges our expectations of order with its dynamic surface and rich mix of colors and materials.”
In this painting, the familiar sequence of the alphabet from A to Z appears, but it’s anything but straightforward. While we might expect an orderly progression, the letters are embedded in a riot of color and texture. Johns made this work in 1959, a pivotal year when he introduced a vibrant palette of primary colors, augmented by touches of green, pink, orange, pale blue, gray, brown, black, and white. The surface itself is a dynamic jumble of strokes, daubs, smudges, and collaged fragments of painted paper. This animated surface scatters our gaze, challenging any sense of a simple, sequential read. It's a fascinating interplay between the systematic order of the alphabet and the expressive, gestural chaos of the brushwork and collage, forcing us to reconcile two very different visual experiences within a single frame.
- Artist
- Jasper Johns
- Date
- 1959
- Medium
- Encaustic and paper on fiberboard
- Location
- Art Institute of Chicago
- Dimensions
- 30.5 × 26.7 cm (12 × 10 1/2 in.)
- Collection
- Contemporary Art
- Culture
- United States
- Credit line
- Gift of Edlis Neeson Collection
What to Notice
Five details hide in plain sight. Here’s where to look.

Look for the sequence of letters A to Z, scattered across the surface.
Notice the vibrant mix of primary colors alongside more muted tones.
Observe the collaged paper fragments creating varied textures.
See how brushstrokes and smudges disrupt the legibility of some letters.
1 more detail is waiting.
See all 5 in Art Whisper →Stand in front of it and listen
The full narration walks you through Alphabet — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Jasper Johns
1930 · United StatesJasper Johns redefined American art by painting everyday objects like flags and targets, challenging perceptions of art and representation.
Further Works by Johns
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More works to explore
Beyond Johns and Postmodernism: works from the same years.
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Greyed Rainbow
Jackson Pollock · 1953 · Art Institute of Chicago
Same era · 1940s–1970s
Sun Spot
Yayoi Kusama · 1953 · Art Institute of Chicago
Same era · 1940s–1970s
Impregnazione
Piero Manzoni · 1958
Same era · 1940s–1970s
Essai
Sam Francis · 1963 · Art Institute of Chicago
Same era · 1940s–1970s
La grande bellezza
Pierre Alechinsky · 1965
Same era · 1940s–1970s
Alka Seltzer
Roy Lichtenstein · 1966 · Art Institute of Chicago
Same era · 1940s–1970s
Captain Joseph Medill Patterson
Ivan Puni · 1962 · Art Institute of Chicago
Same era · 1940s–1970s
Woman at the Piano
Philip Evergood · 1955 · Smithsonian American Art Museum
Same era · 1940s–1970s
Nude under a Pine Tree
Pablo Picasso · 1959 · Art Institute of Chicago
Same era · 1940s–1970s
The Banquet
René Magritte · 1958 · Art Institute of Chicago
Same era · 1940s–1970s
Figure with Meat
Francis Bacon · 1954 · Art Institute of Chicago
Same era · 1940s–1970s
Self-Portrait
Andy Warhol · 1964 · Art Institute of Chicago







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