False Start I by Jasper Johns

False Start I

Jasper Johns · 1962

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“Stop to appreciate how this vibrant lithograph plays with your perception, using mismatched words and colors to challenge what you see and read. It's a clever "false start" for your eyes and mind.”

ABOUT THIS WORK

This lithograph, "False Start I," pulsates with an energetic interplay of color and text. Bright, almost neon hues of red, yellow, blue, and orange are layered and brushed across the ivory paper, creating a dynamic surface. Words like "RED," "YELLOW," and "BLUE" are stenciled or hand-painted directly onto these vibrant fields, but often the word doesn't match the color it describes. For instance, the word "RED" might appear over a patch of blue, challenging our automatic associations and drawing attention to the act of seeing and naming. This playful disjunction, characteristic of the Neo-Dada movement, forces a viewer to actively engage with the visual and linguistic information, rather than passively absorb it. The deliberate "false start" suggested by the title hints at a disruption of expectations, inviting a fresh look at familiar elements.

DETAILS
Artist
Jasper Johns
Date
1962
Medium
Color lithograph from eleven stones on ivory wove paper
Location
Art Institute of Chicago
Dimensions
Image: 44.5 × 35 cm (17 9/16 × 13 13/16 in.); Sheet: 76 × 56.7 cm (29 15/16 × 22 3/8 in.)
ART MOVEMENTS
LOOK CLOSER

What to Notice

Five details hide in plain sight. Pick one and we’ll show you exactly where to look.

False Start I

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01

The word orange

Find "orange" in blurry red letters left of center, set among red and blue strokes. The word names a color, but it is printed in a different one, so what you read and what you see do not match.

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02

The word yellow

At the right edge, "yello" is cut off in orange letters over yellow. The final letter is trimmed away, so the lettering feels like part of a larger field.

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03Whole painting

Layered colors from stones

Red, yellow, blue and orange overlap into pinks, greens and grays where layers meet. Each color was printed in turn, and the overlaps show how the image was built up.

04

Gestural strokes in blue

In the upper right, broad blue strokes show streaky, ragged edges that look like wet brushwork. The print is a lithograph, so these gestures were translated into layers of flat ink.

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05

Artist's proof and signature

Below the image, a pencil note at left reads like "artist's proof," and a pink signature with the date sits at right. These marks are the artist's handwritten additions to the sheet.

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AUDIO DEEP DIVE

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The full narration walks you through False Start I — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.

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THE ARTIST

Jasper Johns

1930 · United States

Jasper Johns redefined American art by painting everyday objects like flags and targets, challenging perceptions of art and representation.

Read Johns’s full story
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